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Murfie streaming on Smart TVs, gaming consoles, Roku and more!

Now you can stream your Murfie collection on your Smart TV, gaming console, hifi system, Roku, Plex, Kodi, and other DLNA compatible devices! How, you ask? We’ve teamed up with Jamcast to make it all possible!

Jamcast is available at no cost to you. Their app allows you to create your own multi-room audio system with devices you already own.

In addition to free streaming, Jamcast supports lossless FLAC streaming with a Murfie HiFi membership!

Setting up Jamcast is super easy—find instructions here! If you have questions, send us an email at info@murfie.com and we’ll be happy to help.

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Album Review: “Lantern” by Hudson Mohawke

Hudson Mohawke Lantern

Lantern
Released: June 16th, 2015
Reviewed by Erik Wermuth
Rating: 3/5

Almost two years ago, when Jay-Z’s album Magna Carta Holy Grail dropped, Hudson Mohawke tweeted that “This record could’ve came out 10 yrs ago and no one would’ve batted an eye lid”. Admittedly, the Glasgow native had submitted several beats for consideration that Jay-Z ultimately decided not to use. It should be fairly obvious that he was not in a neutral headspace about the album when it dropped, but the critique highlights one of the central conflicts in music today: now that the technology for production and distribution has advanced to the point where anyone with a computer and some time on their hands can put out a body of work, why does so much of it still sound so much the same?

It would be tempting to use Mohawke’s own words against him and his latest release, the LP Lantern, but that would be both cheap and incorrect. 10 years ago, his style alone would have (and did) raise eyebrows. After a series of mixtapes and a reality TV talent-search appearance in the mid-to-late 2000’s, the happy trapper (trappist?) started gaining a significant amount of traction, especially for an unheralded teenager out of Scotland. The work he produced during this period was hard-hitting enough to send club crowds over the edge, while providing enough passion and innovation to keep critical listeners coming back for more.

The unique blend of happy-hardcore intensity and trap rhythms that dominated his music in the last decade culminated in the prestigious Warp Records releasing his first LP Butter in 2009. The album’s combination of creative power and head-nodding accessibility made it a critical success that led to high-profile collaborations with the Canadian producer Lunice as the duo TNGHT and with Kanye West on his Yeezus album, both of which vastly increased his popularity with American listeners. It is within the context of his meteoric rise to fame and its aftermath that his most recent album Lantern must be understood.

Hud Mo is clearly a very talented producer, and nothing in Lantern shakes my faith in that. He has his sound down tight. After making waves in December with his contributions to the Rap Monument, he’s moved away from hip-hop/rap to a more R&B/soul-centered approach, particularly in terms of the artists he features such as Jhene and Antony Hegarty. He interviewed extensively in the lead-up to his sophomore effort’s release, stating again and again that he wanted to get away from his status as a trap god and move on to more interesting musical territory. This impulse, in and of itself, is an essential one for any musician who wants to develop his art. Sadly, instead of moving in new creative directions, the album sounds like a watered down version of his earlier works. Lantern lacks the immediacy and creative urgency that made early Hudson Mohawke so compelling. There are, of course, some exceptions: “Scud Books” is a strong, triumphal track, “Ryderz” has something of his old Saturday morning whimsy, and “Lil Djembe” is a short, but punchy beat that has flashes of his old brilliance. However, while none of these would be out of place in his earlier work, none measure up to the expectation of excellence he has established for himself.

Hud Mo achieved success by taking opposing genres and binding them into something greater than the individual components. Butter was so magical because he lashed two dominating musical forces together without losing the purity or energy of either. It drew praise for its accessibility, but it’s important to remember that being able to access something only matters if the content is worth accessing. Like all the best electronic music, Butter burst with inventiveness and left the listener with a real sense of passion– even when it grated, its freshness and originality were never in doubt. But praise can be toxic if misdirected, and I worry that Hud Mo heard too much about how surprisingly listenable Butter was and decided to move only in that direction on Lantern. The listener is still treated to the occasional whining treble and high hat nod to trap roots, but they serve more as a sad reminder of what was than as the basis for an exciting new direction.

Ultimately, Lantern is still a solid album by a great producer. Had it come out ten years ago, eyelids would definitely have batted. 5 years ago, less so. Coming out today it sounds like one long compromise to pop sensibilities, some of which Mohawke himself helped to create—a canned production of known quantities. The creative verve that was beneath the surface of all his releases from his first EP LuckyMe in 2005 to Butter in 2009 is mostly a no-show. The taming of his trap sensibilities that Lantern represents was a major disappointment, mostly because of how high of a bar he had set for himself. At best it represents stagnation for one of the world’s premiere electronic artists and at worst it marks the beginning of a long, slow creative death. As a cutting-edge producer, if mainstream news outlets are describing your new work as lush, listenable lounge music, it’s a safe bet that you’ve taken a wrong turn somewhere along the line. That being said, this is only his second solo album, and his side work has remained impeccable. Here’s to hoping Hud Mo can right the ship. I give Lantern an uninspired 3/5.

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Audiophile Forums, Vol. 2

Forums are among the most useful resources out there. Technology and music are huge topics that audiophiles feel passionate about, so as you might guess, there are a ton of interesting discussions happening online.

We love finding out when our members spread the word about Murfie in forums. It’s fun to see ourselves named as leaders in cloud storage, FLAC music, CD ripping, low album prices and lossless streaming, As a growing company, we appreciate your support!

In our previous article we recommended Head-Fi, Hydrogenaud.io, SteveHoffman.tv and ComputerAudiophile for music lovers. This time we’re recommending four more, which would be wise to check out!

►StereoNET

News, reviews and info about Hi-Fi, Audio-Visual and consumer electronics.

►Reddit Audiophile

Trending audiophile topics ordered by popularity.

►AudioAsylum

An independent, user-supported resource about all things audio.

►AudiogoN

Music, speakers, digital, analog and more.

Monterey-Pop-Festival-By-Jerry-De-Wilde

Stream the Monterey Pop Festival

….just use a little imagination!

It’s June 16th, 1967. You’re 20 years old, and you bought a ticket to the Monterey Pop Festival in California.

With the right soundtrack, you can imagine being there for three days of psychedelic music and fun, without feeling like a packed sardine.

The festival lineup was quite astounding. Bands like The Jimi Hendrix Experience and Jefferson Airplane were in their heyday when the Monterey Pop Festival took place. Here are some albums that can bring you back to those days in the Summer of Love, with nothing but music on your mind. Most are available for just a few dollars, ready to stream and download!

Monterey Pop Festival Ticket

Friday, June 16th, 1967

The Association – psychedelic folk, sunshine pop

The Association

The Association

The Association

 

 

 

 

 

Lou Rawls – R&B, soul, blues, jazz

Lou RawlsLou RawlsLou Rawls

 

 

 

 

 

Eric Burdon & The Animals – blues rock, psychedelic rock

Eric BurdonEric Burdon songs The AnimalsThe Animals

 

 

 

 

 

Simon & Garfunkel – folk rock

Simon & GarfunkelSimon & garfunkelSimon & garfunkel

 

 

 

 

 

Saturday, June 17th, 1967

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Buy FLAC music

Look no further.

Murfie might be the largest and most diverse source of FLAC music online. Every album in our marketplace is a real CD that we rip in FLAC format and send to you digitally. We’re not like other FLAC download websites—the music you’re downloading is from physical CDs you really own. The music will remain yours as long as you wish, available for future downloads and even FLAC streaming.

How to buy FLAC music on Murfie

1. Create a free account.

2. Shop the marketplace. Sort by genre, search artists and album names, and check out our cool collections of albums.

3. Buy your album.

Fill in your billing details if you haven’t already, and your info will be saved for future purchases. We accept US credit cards, PayPal, and Bitcoin.

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4. Go to your collection and search for the album, or click “Recent Activity” on the left sidebar of your collection.

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5. Click “Delivery Options” next to the album. Choose FLAC in the drop-down menu and click “Request Download”.

Murfie FLAC download

Your download will arrive via email. You can also click “Downloads” on the left sidebar of your collection to see when your downloads are ready. Here are FAQs about downloading music on Murfie.

Helpful tip: Stream the album before you request a download, to make sure you really like it. Because if you don’t, simply return the album within 24 hours for full credit back to your account. Here are FAQs about Murfie streaming.

As you can see, it’s easy to buy FLAC music on Murfie. In addition to getting lossless audio, you get to own your music, and that can’t be beat.