#FreeFriday: Odelay

How about a giveaway to round out the week? Alas…it’s #FreeFriday!

For a chance to win today’s featured album, all you gotta do is read this post, then share it on social media at least one of these ways:

  • Share the link on Facebook or Twitter with the hashtag #FreeFriday
  • Retweet one of the #FreeFriday tweets we send via @murfiemusic
  • Share today’s #FreeFriday Facebook post

Be sure your social settings are on public so we can see your post! Enough details. Now on to the album we’re featuring!

Beck Odelay

Odelay (Beck, 1996)

Beck may have recently won a GRAMMY for his 2014 album Morning Phase, but his old accomplishments are still fresh in the minds of those who remember the most innovative 90s alternative rock.

Odelay, Beck’s 5th studio album, is considered one of the best albums of all time. After it was released, it won Rolling Stone‘s Album of the Year, ranked number 306 on their list of the 500 greatest albums of all time, and number 9 on their 100 best albums of the nineties list. It won a Grammy for Best Alternative Music Album and was also nominated for Album of the Year.

There is something in Odelay for everyone. There are genre-bending compositions that tap into such sounds as grunge rock, old-school rap, folk, and electronic. The album is mostly upbeat, with a few mellow moments to keep you grounded. Some tracks that stand out to me are the upbeat hits “Devil’s Haircut” and “The New Pollution”, the southern hip-hoppy “Hotwax”, the epic “Novacane”, and the amazing groovy “Where It’s At”. When you listen to this album, there is never a dull moment.

Beck’s lyrical skills are outstanding. He uses flawless rhymes that are full of imagery and irony, delivered primarily with his rapping vocal style. He uses samples and distorted sound effects that in the end sound harmonious.

I’m going to go ahead and say Beck is pure musical genius. Odelay is a must-have album in your collection.

Share this post in one of the ways listed above, and we’ll let you know if you won the album on Monday! There can be more than one winner! Best of luck. :)

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Is hi-res audio worth the price?

As Onkyo plans to expand its hi-res music store to the US, it’s time to decide if hi-res downloads are worth paying more for than CD-quality files.

In recent times, we’ve seen more focus on the quality of music files online. For music lovers who enjoy digital music, this is a welcome change. Folks like musician Neil Young are taking a stance against the low-quality downloads that consumers are used to getting from online stores like iTunes.

“We live in the digital age, and unfortunately it’s degrading our music, not improving,” said Young.

To combat crappy digital music, Young launched his Pono device and its corresponding hi-res audio store online. Now, Japanese consumer electronics company Onkyo is planning to expand its hi-res audio store, e-Onkyo Music, to the US, and hopefully tap into the same audiophile market that prefers purchasing higher quality files.

CD-quality audio is better than low-quality files, and hi-res audio is considered to be even better than CD-quality audio in terms of bandwidth and dynamic rage. But when the two are compared in listening tests, even to high-bitrate mp3s, a lot of people can’t hear the difference. For this reason, the question of whether hi-res is truly “better” for listeners than CD-quality is still under debate. (Try comparing them for yourself!)

So how much do places like Onkyo and Pono charge for a hi-res album in FLAC format? Here’s an example, compared to the price on murfie.com for CD-quality FLAC.

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Pono eOnkyo Murfie
quality 48kHz/24bit 48kHz/24bit 44.1kHz/16bit
price $22.99 ~$31.00 $16.00

The Diana Krall album is a new release. How about building your back catalogue with an old favorite?

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Pono eOnkyo Murfie
quality 192.0kHz/24bit 192kHz/24bit 44.1kHz/16bit
price  $24.79  ~$30.00  $3.00

High-quality music is great, but it would be outrageous to pay for a hi-res album if you can’t hear the difference between that and CD-quality audio, which is already high. Some have even claimed that the hi-res movement is profitable trickery aimed at elitists and audiophiles.

Ultimately the choice is up to you, the listener. Find out what you can hear—and can’t hear—and make the choice that makes sense for you. When you choose to buy an album from Murfie, you’re buying a real CD that you can download (FLAC, ALAC, mp3, aac) and stream on different devices (320kbps mp3 or FLAC). Then choose to store the physical disc with us, or have it shipped to you.

For us, quality is key, along with providing access to your music that isn’t limited by any brand or device. Since everything released on CD can be ripped and downloaded in FLAC, Murfie just might be the largest source of high-quality FLAC music online. See for yourself!

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Music for lovers and haters

[Photo courtesy of Mother Fools in Madison]

Valentine’s Day is right around the corner—and depending on who you are, you could see this as exciting, or depressing, or just another day! Whether you’re in a relationship or not, we have some Valentine’s Day music picks for your playlist.

Songs of Love and HateSongs of Love and hate
Leonard Cohen

“Something for everyone. The swelling strings, arpeggiated acoustic guitars, and Cohen’s crooning allow the album to fit well into any romantic candle-lit scene until you decide to pay attention to what he’s singing.” – Marc

Lady in SatinLady in Satin
Billie Holiday

“Still a little more often sad than romantic, but for people who feel a bit of both it can make for a great evening.”
– Andrew

Gregory Isaacs

The Millennium Collection
Gregory Isaacs

“Some lovers rock from the cool ruler Gregory Isaacs is perfect for Valentine’s Day. Plus his songs are backed by the amazing Roots Radics band.” – Kayla

Lovers Rock

Lovers Rock
Sade

“Amazing, seductive vocals.”
– Matt

COWBOY MOUTH 2014 HIGH RES IMAGE

Cowboy Mouth Interview

Cowboy Mouth is an energetic, fun-loving, pure-hearted New Orleans rock band with a twist of cajun and blues influence. Since the release of their first album, Word of Mouth, in 1992, the band has gained notoriety nationwide. With a current string of shows and a new album, Go, the time was perfect for us at Murfie to get in touch.

Below is a transcript of a phone call between Cowboy Mouth frontman Fred LeBlanc and myself (Kayla), from a few weeks ago in January. Fred is an entertaining fellow with a lot to say about the 90s music era, the changing music scene, the influence of big labels, and the vibrant energy in the southern United States. Read on and enjoy!

Fred LeBlanc Cowboy MouthK: Right now I have Fred Leblanc on the phone from Cowboy Mouth.

F: Woo-hoo!

K: Welcome! Where are you calling from today?

F: I’m calling from my house in Mississippi.

K: How’s the typical winter in Mississippi?

F: Well, seeing that you’re calling me from Wisconsin, I really have no reason to complain about anything as far as winter goes, ‘cause I could sit here and whine about the temperatures in the 40s, and you guys would probably think, “Oh, what a puss”—and you’d be right about that! But I get to do the same thing during the summer. As you sit there and complain about temperatures in the 70s and 80s, I’m sitting here, you know high 90s early 100s, or something like that, and I could call you a puss back. So I’m not gonna complain, it’s beautiful, every day above ground. Right?

K: Absolutely. You guys are doing your thing down south, and Cowboy Mouth has been in action for two decades at least, so it’s cool to talk to you because you have all this perspective on rock music and the industry—

F: Haha! That’s a nice way of saying, “Gimme what you’ve got, Grandpa!”

K: Haha! So it’s really valuable, and I’m sure you’ve seen a lot, which leads me to something I was wondering about—the rock scene, and how it’s changed over the years. I know it was kinda grunge-y when you got started. So how have you seen things change?

F: Well we were kind of like, not the antithesis to the grunge thing—it’s more of a matter of timing. In fact, we were around a couple years before that burst forth on the national zeitgeist. In fact, we would see a lof of those bands in the same clubs that we played. I played at a club called Raji’s in L.A. a bunch of times, and then I saw that club on the back of Nirvana’s first album Bleach. There’s a picture of them performing at Raji’s. So it was all kind of bubbling under, and then it just kind of took over for a while. You had big bands like Nirvana, Pearl Jam, other bands who got notoriety like Mudhoney. They had all been around a while. Then a few years later, we were kind of lumped in with some of the other 90s bands who weren’t quite as angst-ridden, bands like Better than Ezra, Hootie & the Blowfish, Matchbox Twenty, all these bands who had just been touring around the same time. So for me, in terms of changes, a lot of the big changes came close to later in the 90s, when everything changed and went either hard-hard-hard rock, or obscene hard-hard-hard pop. And for me, I was kind of glad to see the whole major label game disappear because, as their influence became a lot more…unable to shake off—the music got kind of worse. You had the emergence of things like Britney Spears and Fred Durst [Limp Bizkit] at the same time. You know, it’s just not my cup of tea because musically they were both so extreme. This music fits comfortably into this box. I call it “McDonald’s Music”, in that it’s designed to be eaten, and crapped out, making room for the next musical Big Mac. And there’s a place for that—that’s fine, but that’s not why I wanted to play music. I always wanted to be a more creative person, take a chance with styles, learn new ways to perform, and ingratiate those. I didn’t want it to be just one thing continuously over and over and over again. But that’s me.

K: Sure, that’s some truth about the industry. And yes, there’s a consumption element to it all, that maybe wasn’t there when music was more pure…

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VOTE: 2015 Murfie Listener’s Choice Awards

If you’re like us at the office… then maybe you enjoy the excitement of the GRAMMYs, but you think the nominees aren’t really THE best out of all the music out there. Obviously a lot of it has to do with what’s mainstream, what’s played on commercial radio, and things like that.

The Murfie staffers discussed this a bit, and we came up with our own list of nominees and categories. We have a broad range of musical taste here and totally pride ourselves on exploring what’s not popular, without denying the popular stuff that’s rightfully good.

Now, you, the people, can choose the winners in our 2015 Murfie Listener’s Choice Awards! Voting ends on Thursday, February 5th at noon—one vote per person, please! We’ll let you know who the winners are before the GRAMMYs air on Sunday February 8th!

Click the “Vote” button after each category to save your vote.

[Click “Continue reading” to view all categories]

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