This Week in Music History (May 7th-13th)

What’s music history got for us this week? Learn up and boogie down!

The Mamas and the Papas5/7- On this day in 1966, The Mamas and the Papas began a three-week run atop the US singles chart with “Monday Monday”. The group won a Grammy Award for Best Pop Performance by a Duo or Group for this song.

The Beatles - Past Masters5/8- On this day in 1964, The Beatles began a 14-week run on top of the US singles chart. The reign was a result of three back-to-back No. 1 hits, including “I Want to Hold Your Hand” (on top for seven weeks), “She Loves You” (on top for two weeks), and “Can’t Buy Me Love” (on top for five weeks).

Louis Armstrong - Hello Dolly5/9- On this day in 1964, Louis Armstrong hit No. 1 on the US singles chart with “Hello, Dolly”, making him, at 62, the oldest artist to ever hit No. 1. This record was broken in 2011, when Tony Bennett topped the charts at 85 with his album Duets II.

12646-large5/10– On this day in 1965, The Rolling Stones recorded the first version of “(I Can’t Get No) Satisfaction” at Chess Studios in Chicago. Although the original track featured Brian Jones on harmonica, a re-recording completed two days later in Hollywood contained a different beat.

365913-large5/11- On this day in 1981, Jamaican reggae legend Bob Marley died at age 36 after melanoma spread to his lungs and brain. His birthday, February 6th, was proclaimed a national holiday in Jamaica to commemorate him, and his compilation album, Legend, became the best-selling reggae album of all time.

46-large5/12- On this day in 1973, Led Zeppelin began a three-week run at No. 1 on the US album chart with Houses of the Holythe band’s fifth album. The group’s third No. 1 album, it went on to spend 39 weeks on the US chart.

12921-large5/13- On this day in 1970, the world premiere of The Beatles‘ film “Let it Be” took place in New York City. The film, a documentary about the band’s experiences recording and rehearsing songs for the album Let it Be, features a rooftop performance by the Fab Four.

You can own these and other pieces of music history by hitting up our CD marketplace! Each album purchase comes with unlimited streaming and downloads in mp3, aac, FLAC and Apple Lossless. :-)


Ally Boutelle
@arboutelle

Ally is a communications intern at Murfie, blogging about all things music. When she’s not typing away, she cooks spicy food, does hot yoga, and reads weird history books. She’s also a college student double majoring in history and journalism.


Staff Picks: Ally’s Folk Picks

Up until recently, I definitely did not consider myself a fan of folk music—I barely could name a folk artist, and never thought to add folk music to my listening rotation. In the last few months, however, I’ve become hooked on folk as a new soundtrack to car rides, homework sessions, and everything in between. Here are a few of my newfound favorites.

The Head and the Heart - Let's Be StillThe Head and the Heart
Let’s Be Still

The Head and the Heart’s sophomore album has solved the problems of the bands overly fast-paced debut, slowing it down to allow for more thoughtful songwriting and lusher instrumentation. The melodies here are beautiful and complex, incorporating violin, banjo, piano and guitars into a smooth and mellow sound. Combined with singers Josiah Johnson and Jonathan Russell’s vocals, the album is the perfect combination of soulful and lighthearted.

This band masters the art of creating ballads that are heartfelt, not sappy, and it shows. Highlights like “Cruel” showcase the band’s excellent songwriting, which lends itself perfectly to their newly quiet and pensive sound. The result is a new kind of folk music—thoroughly modern, not lost or stuck in decades past—that seems to have real staying power. The Head and The Heart have discovered what works for them, and they’ll withstand any shifts in what’s popular in music. This album ultimately plays like a plea to just take a moment, be still and listen—the rest will work itself out in time, after all.

> Don’t Miss Tracks: “Cruel”, “Homecoming Heroes”

Indigo Girls - Indigo GirlsIndigo Girls
Indigo Girls

The Indigo Girls are everything a musical pair should be: they certainly collaborate, but their differences in style ultimately create a stronger and more interesting final product. This album at times has a split personality, moving from the upbeat, bouncy “Closer to Fine” (one of my personal favorite songs) towards brooding tracks like “Blood and Fire” that ruminate on topics like love and faith. Although the songs reflect each member’s individual personality, they nevertheless compliment each other seamlessly.

This album is raw and powerful—it feels almost unedited at times, but in a wonderful way. The tracks capture their passion and let their personalities and opinions shine through, never asking them to keep anything in check. The power that surges through these songs, however, suggests a musical duo whose talent will take them far. Combined with their truly poetic songwriting, the Indigo Girls create a commanding musical presence that captures attention and demands that you really listen to every last word they have to say.

> Don’t Miss Tracks: “Closer to Fine”, “Secure Yourself”
> Check out this Murfie Podcast that we recorded with Amy Ray of the Indigo Girls!

Joan Baez - Diamonds and RustJoan Baez
Diamonds and Rust

Although previous installments of Baez’s work centered around her anti-Vietnam war activism, Diamonds and Rust brings her back to her soulful, yet commercial, roots. The album is flush with outstanding music influences, including contemporary jazz greats like Larry Carlton and covers of legends the likes of Stevie Wonder. Although Biaz shines on cover tracks, original songs like “Children and All that Jazz” reveal a new style that’s personal and extremely appealing.

The real hero of this album, however, is the title track “Diamonds and Rust”, arguably Biaz’s finest achievement as a singer/songwriter. Written about her relationship with Bob Dylan, the track reminisces about what once was in a way that is intensely intimate.  Her most popular track ever, the song is a folk classic and a whole new standard for the soul-baring love song category. The sheer power of “Diamonds and Rust” combined with the album’s other shining moments makes this album the best of Baez.

> Don’t Miss Tracks: “Diamonds and Rust”, “Winds of the Old Days”


Ally Boutelle
@arboutelle

Ally is a communications intern at Murfie, blogging about all things music. When she’s not typing away, she cooks spicy food, does hot yoga, and reads weird history books. She’s also a college student double majoring in history and journalism.


caroline smith press photo

Interview with Caroline Smith [Podcast]

photo credit: Reginald Van Nurden

Caroline Smith is a singer and songwriter who will not hesitate to point out how the music she creates, like herself, changes over time. Her sound could previously be clearly defined as indie rock, but a whole new world opened up to her when she covered the song “Drown in My Own Tears” by Aretha Franklin. Her new album Half About Being a Woman is a modern neo-soul/R&B/indie rock gem, young-spirited yet mature. As a woman in the music biz, Caroline has dealt with challenges. This interview was recorded before her show with Dessa at the Majestic Theatre, and it contains valuable insights about those challenges, and also advice for up-and-coming musicians.

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Who: Caroline Smith; interviewed by Kayla Liederbach
What: Caroline talks about influences, the Minnesota music scene, and the world of a difference that two years can make
Where: Ancora Coffee, Madison, WI
When: Thursday, April 10th, 2014
How: Recorded by Kayla Liederbach
File: mp3 version

Find music by Caroline Smith in our shop.

Checkout more at carolinesmithcarolinesmith.com.

Into RSS? Follow our podcast feed via http://blog.murfie.com/category/podcasts/feed.


Kayla Liederbach
@djkaylakush

Kayla manages social media and customer support at Murfie. You can hear her on the radio hosting U DUB, the reggae show, Wednesdays on WSUM. She enjoys hosting the Murfie podcast, cooking, traveling, going to concerts, and snuggling with kittycats.


Pigeon John

Interview with Pigeon John [Podcast]

Pigeon John is a rapper and more—with a deep focus on the musical element of his songs and influences from De La Soul to The Beatles, lovers of pop, rock, and blues can easily find themselves turned on to his sound. After continually evolving over the years, Pigeon John has discovered himself as a writer and storyteller, making his everlasting mark on the exciting genre of hip hop.

Encino Man is set to be released April 29th—order your copy on Murfie today!

Encino ManWho: Pigeon John; interviewed by Kayla Liederbach
What: Pigeon John describes the similar spirit in all music, the importance of being your own planet, and the dangerous, relevant, “pinpoint sharp” American genre known as hip hop.
Where: Rock & Roll Hall of Fame (Cleveland, OH) and Murfie headquarters (Madison, WI), via Skype
When: Wednesday, March 12th, 2014
How: Recorded by Kayla Liederbach
File: mp3 version

Find music by Pigeon John in our shop.

Check out more at pigeonjohn.com.

Into RSS? Follow our podcast feed via http://blog.murfie.com/category/podcasts/feed.

Paper%20Bird%20Press%20Pic

Interview with Paper Bird

Mark Anderson was a really great person to chat with earlier this year on the Murfie Podcast. He plays percussion in Paper Bird, a harmonious seven-piece band that’s gaining more and more national buzz each day. Here’s a transcript of our interview, and another chance to dig in to the interesting world of up-and-coming music.

INTRO: This is Kayla here, with your Murfie podcast, right from murfie.com: the world’s largest used and new CD store online. So, one band that I’m really diggin’ right now is Paper Bird. They’re a seven-piece indie folk band from Colorado. I had a chat with one of the band members, Mark, right after they released their new album, Rooms.

[MUSIC: “As I Am” by Paper Bird]

Kayla: Alright, so right now I have Mark on the phone, from Paper Bird. Where are you calling from?

Mark: I’m just calling from my apartment in Denver, Colorado.

Kayla: Ok, yes, I saw that you guys are from Colorado, and I’ve never been there, but I’ve heard a lot of great things about that place. So, are a lot of people in the band from Colorado, originally, or did you guys end up there?

Mark: Um, most of us are from here, originally. Some of us were born other places—like Sarah, my sister, and I, were born in Ohio, but moved here when we were really young—and then a couple of members were born in Texas. But all of us say we’re from Colorado—it’s where we grew up.

Kayla: Right—it’s your home, totally! You and Sarah are brother and sister—I did not know that.

Mark: Yeah, yeah. There’s another set of siblings in the band, too: Genny and Esme are sisters.

Kayla: Oh, awesome! That’s fun.

Mark: Yeah.

Kayla: How did you all meet each other?

Mark: Well, we’ve known each other for a long time—it kind of was a culmination of coincidence and then also just like, common interest. Like, we all moved to Denver—um, god, I don’t know, we’ve lived in Denver for a long time. And I think just like, through random acquaintances, and some people through school and things like that, a loose group of us started getting together—and then music is what pulled us in farther, and slowly our friendships culminated into the band, and we’ve been doing it for like, six years now.

Kayla: That’s the best way to get started, you know—the music brings you together, the common interests. And you guys have developed a really unique sound, because basically everybody in the band contributes to writing songs and that sort of thing; so is that how it usually works? Do you guys kind of come to each other and say, “I have an idea for a song,” and then do you work on it together?

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