How to ship CDs you buy directly to Murfie

Our goal is to help you grow your music collection. If an album is out of stock, click the “Find it for me!” button and we’ll try to locate a copy for you.

If an album isn’t showing in your search results at all, email us at info@murfie.com and we’ll try to find you a copy.

If you can’t acquire an album those ways, we still have you covered! You can buy CDs elsewhere online and ship them directly to your Murfie collection.

When you buy a CD through another retailer, simply put Murfie’s warehouse address, your name, and your User ID in the shipping address. You can find that info in the proper format on your Profile Page (Look under “Direct Shipments To Your Murfie Collection”).

This service is meant for the occasional shipments of CDs you can’t find in our member shops. If you are shipping CDs you acquire in bulk (more than 3 CDs at once, or more than 10 per month), we add them to your collection at our standard kit rate.

After we receive your CDs, we’ll post the files online and email you when they’re ready to stream and download!

Murfie’s Year-End List: Favorite Albums of 2014

Time for us to give you some real information about the most impressive albums that came out this year. This is an eclectic list of the music that genuinely stands out to us for all kinds of reasons. If you don’t know, there are many musicians, music buffs, and music lovers that work here at Murfie, and our recommendations are not influenced from outside sources—they’re coming straight from the heart!

Here are the albums that we consider the absolute best of 2014.

Damien Rice – My Favourite Faded Fantasy

This is only his third album, and it’s been eight years since his last. The album was produced by Rick Rubin and it pretty much continues where he left off. – Pete

Eric Hutchinson – Pure Fiction

Great vocals and feel-good instrumentals are present on just about every track on this album. Play Pure Fiction anytime you want to put a smile on your face. – Matt

Fartbarf – Dirty Power

I first learned of Fartbarf putting together a list of preorders earlier this year. With a stupid name like that, I had to know what was going on. Listening to Dirty Power, I was shocked to learn Fartbarf was an impressive, dirty analog vocoder synth rock band, and not a terrible metal or punk band of some sort. This album was the biggest surprise of 2014 for me. – John

The Flaming Lips – With a Little Help From My Fwends

Come on, who doesn’t love the original Sgt. Pepper’s Lonely Hearts Club Band? The Flaming Lips have given us a new twist on the classic, full of their signature (and awesome) sonic extravagance. – Brandon

FKA Twigs – LP1

This was the year I really got into FKA Twigs and a lot of her contemporaries. There was a huge influx of creative production and sound design in 2014, and FKA Twigs was a solid part of that. While I enjoyed her two previous EPs a bit more than LP1, I still really looked forward to this album. I was not disappointed. – John

Giant Panda Guerilla Dub Squad – Steady

Check out GPGDS if you haven’t already—for real! Their music blends elements of roots reggae with totally fun, bouncy jam rock. Most importantly, their lyrics are socially conscious. The energy at their shows is amazing, along with their ability to give you an uplifting and psychedelic experience caused by their dubby vibrations alone. This studio album is equally awesome to their live persona, and listening to it makes you feel like you’ve teleported to a venue where they’re playing. – Kayla

John Frusciante – Enclosure

John Frusciante shows again he can do so much more than we expected. A bold departure from the sweeping melodies of 2009’s The Empyrean. – Brandon

John Luther Adams – Become Ocean

If you want to know more about Become Ocean, check out my full review. As I mention in the review, I learned about John Luther Adams’ work via the excellent podcast Radiolab. I’ve been listening to Become Ocean regularly since. It’s an astonishing feat of orchestration, and it’s hard to recommend anything this year over it. – John

Phantogram – Voices

Phantogram has definitely expanded their horizons. Eleven tracks with distinct voices, all uniquely groovy. – Brandon

tUnE-yArDs – Nikki-Nack

There is probably nothing I’ve listened to as much this year as tUnE-yArDs’ newest album Nikki-Nack. I’ve been a fan of Merrill Garbus’ completely unique songwriting and structure for years, but I think Nikki-Nack is really the album that has cemented her in the public eye as a master of her craft. Seeing tUnE-yArDs play live on King Street was also one of my most memorable shows of the year. – John

Thanks to all our members for making this a great 2014. We’re excited for what’s to come in 2015! Have a happy and safe New Year everyone!

xoxo
The crew at Murfie

2015 GRAMMY nominees!

The Recording Academy recently announced the 2015 GRAMMY nominees! It’s interesting to see what music rises to the surface when countless recordings are released every year. You can find the full list of nominees on the GRAMMY website, but here’s an overview of some of the most popular album-related categories.

Have you heard any of these albums? Who do you think will win?! Let us know in the comments.

Album of the Year

Beck – Morning Phase
Beyoncé – Beyoncé
Ed Sheeran – X
Sam Smith – In the Lonely Hour
Pharrell Williams – Girl

Best Traditional Pop Vocal Album

Tony Bennett & Lady Gaga – Cheek to Cheek
Annie Lennox – Nostalgia
Barry Manilow – Night Songs
Johnny Mathis – Sending You a Little Christmas
Barbara Streisand & Various Artists – Partners

Best Pop Vocal Album

Coldplay – Ghost Stories
Miley Cyrus – Bangerz
Ariana Grande – My Everything
Katy Perry – Prism
Ed Sheeran – X
Sam Smith – In the Lonely Hour

Best Dance/Electronic Album

Aphex Twin – Syro
Deadmau5 – While (1<2)
Little Dragon – Nabuma Rubberband
Royksopp & Robyn – Do it Again
Mat Zo – Damage Control

Best Rock Album

Ryan Adams – Ryan Adams
Beck – Morning Phase
The Black Keys – Turn Blue
Tom Petty & the Heartbreakers – Hypnotic Eye
U2 – Songs of Innocence

Best Alternative Music Album

Alt-J – This is All Yours
Arcade Fire – Reflektor
Cage the Elephant – Melophobia
St. Vincent – St. Vincent
Jack White – Lazaretto

Best Urban Contemporary Album

Jhené Aiko – Sail Out
Beyoncé – Beyoncé
Chris Brown – X
Mali Music – Mali is…
Pharrell Williams – Girl

Best Rap Album

Continue reading 2015 GRAMMY nominees!

Ownership Matters: Swift vs. free Spotify

In a move that shocked fans and media outlets, Taylor Swift pulled her entire catalog from Spotify on November 3rd without any advance notice. Swift was silent for a few days about the issue, and in the meantime Spotify asked her to bring back her music to the millions of fans who were already streaming it.

But when Swift responded on the issue a few days later, her reasoning became clear. It’s not that Swift doesn’t want people to stream her music—clearly people want to stream, and there’s no denying that. She just doesn’t believe Spotify’s model fairly compensates her for her work.

Some songwriters and big-name artists also question whether streaming payouts represent fair compensation. Album sales, unlike streaming, pull a large chunk of revenue forward for artists and songwriters.

If millions of fans are streaming Taylor Swift’s album on Spotify for free, it’s a near certainty that she’s selling fewer albums, and making less than she possibly could if everyone who listened to her album paid for it first. She also wrote an op-ed for the Wall Street Journal about the value of music.

Spotify’s CEO Daniel Ek recently explained to artists that “The more we grow, the more we’ll pay you.” He’s asking people to trust him, to believe the numbers will add up in the future if everything goes as planned. But all this, in Swift’s opinion, still seems like a “grand experiment.”

Swift believes the definition of fair compensation is that everyone who listens should pay, and that playing without paying devalues music. “And I just don’t agree with perpetuating the perception that music has no value and should be free,” says Swift.

Another artist, Amanda Palmer, has a different view. Palmer believes that not everyone who listens should have to pay, because the fans who truly want to support you will support you if they can. And for her, that is enough.

Something to think about is: you don’t have to pick between a streaming service and an album sale. You can buy the album, and stream it also. That’s the service we built at Murfie—streaming for your CD and vinyl collection from the web, your phone, tablet, and more. In great quality too.

Do you think everyone who listens to music should have to pay up front, or do you have a view like Amanda Palmer’s? Let us know in the comments!

Favorite New Releases of the Week!

Oh man, such great new music we’ve been listening to! Here’s what some of our staffers recommend for you…


Flying Lotus You're DeadFlying Lotus
You’re Dead!

(John’s Pick)

You’re Dead is the long-awaited follow-up to 2012’s Until the Quiet Comes by Flying Lotus. While the tracks often feel too short, FlyLo’s signature production style is in full force throughout the album’s 38-minute run time. Perhaps it’s best to view You’re Dead as one large piece, since many of the tracks bleed from one to another. In that case, it was maybe a mistake to separate them. The biggest departure for Flying Lotus on this album is the inclusion of several featured verses, including FlyLo’s alter ego, Captain Murphy. But it works out well. Overall, a great addition to the Flying Lotus discography.

Going Back Home Wilko Johnson and Roger Daltrey
Going Back Home

(Marc’s Pick)

Roger Daltrey sang with The Who that he hoped he’d die before he got old. At the age of 65, Wilko Johnson demonstrated he’d do just that. After being diagnosed with pancreatic cancer in 2012 Johnson, the original guitarist for British R&B/pub rock band Dr. Feelgood, but better known on this side of the pond as the mute executioner on Game of Thrones, opted to go down with his axe in hand. As part of his continual touring he cut this album in late 2013, planned with Daltrey a couple years prior. The pair roll through classic cuts from throughout Johnson’s career, with a Dylan number thrown in for good measure. For what may be Johnson’s final run, this is an excellent introduction and encapsulation of his career and influence. For bonus points, check out this video from his early days with Dr. Feelgood and see him float jaggedly around stage with the gaze that got him on Game of Thrones. And also check out the 4 disc set encapsulating his time with that band, which was released a couple years back. Finally, he announced just a few days back that after undergoing extension surgery to remove 3 kilograms of tumor he appears to be cancer free. Now if I can just convince him to make a victory lap through Madison, perhaps with Richard Hawley in tow…

77 Jefferson Let Me Know EP77 Jefferson
Let Me Know EP

(Kayla’s Pick)

Midwest reggae! These guys are from Missouri. I’d closely compare them to the rootsy lovers-rock-reggae singer Josh Heinrichs, who is also from the same state, and runs the record label they’re affiliated with. This EP came out in July of 2014, and it fits well on a summer playlist since their mood is super positive. I especially love the first song, “Rocksteady.”

More new releases are on the way! Go to murfie.com/preorder to see what’s coming, and pre-order your favorites.

Which albums are you excited to see? Tell us in the comments!

Last Call: Your Murfie Week in Review

 

Monday
7/21

[Blog] Grant picked the top 5 albums by Pink Floyd, one of rock music’s most influential bands.

Tuesday
7/22

[Blog] We previewed Lese Majesty by experimental hip hop/electronic collective Shabazz Palaces.

[Blog] We previewed Jenny Lewis’ upcoming album The Voyager.

Wednesday
7/23

[Blog] We previewed The Breeze: An Appreciation of JJ Cale, by Eric Clapton & Friends.

Thursday
7/24

[Twitter] Any good #ThrowbackThursday albums? Bueller? Bueller?

Friday
7/25

[Blog] When Andrew bought a copy of Gwen Stefani’s Love. Angel. Music. Baby., things went bananas.