Evolve Your Listening Experience with Murfie!

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Imagine a time before the invention of the CD burner, back when tapes were still more popular than CDs because they were more durable and our only means of copying and cataloging music.

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I remember fearing the inevitable destruction of my CDs, a consequence made real by overplaying them or neglecting to put them back into their cases afterwards. I certainly didn’t want to pay for the albums again (though that would have been the only option since there was no internet), so I often transferred them from CD to tape.

There were moments when my CDs even fell by the wayside and all I had were tapes of albums I had recorded or mixes of the lot. After all, cassette Walkmans were still more efficient than CD Walkmans back then because CD skip protection was still in its infancy, and I liked to jog while listening to music so the choice was obvious.

When CD burners entered the scene, CD Walkman technology had improved enough that you could pretty much play a CD without skips so long as you didn’t jostle the player too much. People were already ripping CDs to their computers and storing them on hard drives at this time, but it wasn’t until awhile later that actual burning capability became a household item. Consequently, we might have just skipped burning CDs altogether and just moved immediately to file sharing and streaming if it wasn’t for the lack of technology and our learned behavior of collecting physical media.

Binders full of plain discs with hand-scribbled titles gradually replaced the authentic, colorful and provocative ones. The originals were either sold or sat on shelves or in boxes in storage. Eventually, all I had to look forward to was what was on the CD when I played it. I could no longer hear with my eyes. It’s no wonder many of us lost interest in physical media.

music-1163286_1920Today, with the advent of streaming services, ownership of music has declined. We no longer flip through tiny booklets filled with pictures, art, lyrics and production credits while we enjoy our favorite albums. Certainly, we might look at the CDs front cover as a 2″ x 2″ thumbnail through the glare of our cellphone screen, but for the most part the haptic aesthetic of albums is gone.

Additionally, we pay for monthly subscriptions to listen to our favorite tunes, but in the end we’ve sacrificed ownership. If we lose our account or stop paying, our collection disappears. Not to mention, the music we can listen to is limited because subscription services do not have everything. The collections are incomplete.

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Contrary to the latest trend, physical media still exists and will continue to exist in many forms because there is a human need to experience the world with all of our senses. An artist performing a show personalizes it by offering physical media to their fans at a merch booth. A rare box set sells because it was uniquely crafted in remembrance of a great musician. A new generation of audiophiles realizes we got it right the first time with vinyl records and begins rummaging local thrift shops for sonic delights. Not to mention, a vast majority of consumers’ shelves, attics, basements and storage continue to brim with cassettes, CDs and vinyl records.

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Subsequently, a solution that ensures consumers retain the value and ownership rights of the albums they’ve paid for must be brought into being. We need to preserve the option of the aesthetic experience of an album if a listener so chooses and alternatively provide an efficient and safe way in which to catalog and store it. Finally, we need to ensure that when music is streamed, it can be done so at the highest bit rate possible per listening device for the ultimate listening experience.

So what is the solution you might ask? Murfie.

Murfie will take your collection of vinyl, cassettes and CDs, digitize them and make them available for streaming in a variety of popular formats, such as FLAC and mp3, complete with metadata for your preferred devices. When you send us your collection, it is ripped to your personal account for you and you alone. We believe that ownership matters, and so we provide you with exclusive access to your albums as well as give you the option of selling or trading your albums in our marketplace. The marketplace is also useful for filling the holes in your collection. In addition, we provide you the option of storing your albums indefinitely in our secure warehouse to free you of the burden of storing them yourself.

What makes Murfie unique from other streaming services is that if at any time you want to cancel your account or get your music back, you are able to do so. We don’t want you to lose the music you have spent countless hours collecting. We also don’t want you to pay for albums you have already bought over and over. We encourage you to enjoy your physical media the way it was intended, but we understand that advances in technology have led us to more simplistic ways of consuming media. And that is why we are here, to help you evolve and make the decision of what to do with your physical media effortless and pain free.

Send us your collection today, click here for an instant quote. If you have any questions feel free to contact us or check our FAQ.

How To Buy Lossless Music With Bitcoin

Two things we’re fans of: lossless music and bitcoin. No doubt about it. Call us geeks, audiophiles, or what-have-you, but the recent interest in high quality files and virtual currency fits with what we’re doing at Murfie.

Here’s a how-to guide for buying lossless music with bitcoin on our site.

1. Sign up for Murfie. It’s free to sign up, and all you need is a name, email address, and password.

2. Add credit with Bitcoin. Select the desired amount of Murfie credit you’d like to buy on your billing page. You’ll be taken to BitPay to securely complete the process.

3. Shop for music. We have thousands of complete albums for just a few dollars each. Every album in the Murfie marketplace is backed by a used or new CD.

4. Download in FLAC or ALAC. Every CD at Murfie is ripped in FLAC and made available for you to download in mp3, aac, FLAC and ALAC.

5. Stream in FLAC. Murfie HiFi members can get CD-quality FLAC streaming on Sonos, Bluesound, and VOCO devices.

We want you to customize your own music experience. Having the option to pay with bitcoin and listen in lossless format is a wonderful thing!

Is hi-res audio worth the price?

As Onkyo plans to expand its hi-res music store to the US, it’s time to decide if hi-res downloads are worth paying more for than CD-quality files.

In recent times, we’ve seen more focus on the quality of music files online. For music lovers who enjoy digital music, this is a welcome change. Folks like musician Neil Young are taking a stance against the low-quality downloads that consumers are used to getting from online stores like iTunes.

“We live in the digital age, and unfortunately it’s degrading our music, not improving,” said Young.

To combat crappy digital music, Young launched his Pono device and its corresponding hi-res audio store online. Now, Japanese consumer electronics company Onkyo is planning to expand its hi-res audio store, e-Onkyo Music, to the US, and hopefully tap into the same audiophile market that prefers purchasing higher quality files.

CD-quality audio is better than low-quality files, and hi-res audio is considered to be even better than CD-quality audio in terms of bandwidth and dynamic rage. But when the two are compared in listening tests, even to high-bitrate mp3s, a lot of people can’t hear the difference. For this reason, the question of whether hi-res is truly “better” for listeners than CD-quality is still under debate. (Try comparing them for yourself!)

So how much do places like Onkyo and Pono charge for a hi-res album in FLAC format? Here’s an example, compared to the price on murfie.com for CD-quality FLAC.

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Pono eOnkyo Murfie
quality 48kHz/24bit 48kHz/24bit 44.1kHz/16bit
price $22.99 ~$31.00 $16.00

The Diana Krall album is a new release. How about building your back catalogue with an old favorite?

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Pono eOnkyo Murfie
quality 192.0kHz/24bit 192kHz/24bit 44.1kHz/16bit
price  $24.79  ~$30.00  $3.00

High-quality music is great, but it would be outrageous to pay for a hi-res album if you can’t hear the difference between that and CD-quality audio, which is already high. Some have even claimed that the hi-res movement is profitable trickery aimed at elitists and audiophiles.

Ultimately the choice is up to you, the listener. Find out what you can hear—and can’t hear—and make the choice that makes sense for you. When you choose to buy an album from Murfie, you’re buying a real CD that you can download (FLAC, ALAC, mp3, aac) and stream on different devices (320kbps mp3 or FLAC). Then choose to store the physical disc with us, or have it shipped to you.

For us, quality is key, along with providing access to your music that isn’t limited by any brand or device. Since everything released on CD can be ripped and downloaded in FLAC, Murfie just might be the largest source of high-quality FLAC music online. See for yourself!

Murfie now digitizes plastic Fisher Price records!

We have a solution for your child’s growing Fisher Price record collection! As of today, April 1st, we are pleased as punch to announce Murfie’s new ripping service for plastic Fisher Price records!

Order a Murfie Kit and send your child’s plastic records to us—in about a week, we’ll have them posted your account, available to stream in high quality 320 kbps mp3 on iOS devices, Android devices, and our Murfie Web Player. Download your Fisher Price records in your child’s preferred audio format: mp3, aac, and even lossless formats FLAC and ALAC. With Murfie, those plastic discs can be available to you digitally—anywhere, anytime—giving you and your child the freedom to listen however you want, with zero compromises.

And those extra copies of “Old MacDonald” and “Row, Row, Row Your Boat” you found? Sell them in your own personal shop and make some sweet green!

Murfie’s plastic Fisher Price record ripping service is a favorite of young audiophiles everywhere. Just click the orange button to learn more!

JPLAY: The solution for playing perfect lossless files

At Murfie, we’re big fans of lossless music. We are pleased as punch to recommend JPLAY, the solution for playing lossless files right from your computer.

JPLAY is software that ensures a properly-timed feed of audio files—meaning it minimizes buffering and latency issues for perfect-sounding audio to match perfect lossless files.

Due to its general-purpose nature PC may not always ensure precise timing of audio tracks. If you’re using your computer as a playback source for audio files, and you’re feeding those files into expensive components, JPLAY will ensure the audio feed is very properly timed. The beauty of this software extends by listening to external DACs connected via USB. With JPLAY’s time-sensitive parameters, the music sets the pace and not the PC or the CD spinning.

JPLAY is for PCs (and Mac-Boot Camp), and it matches perfectly with all kinds of hardware.

See for yourself! JPLAY 5.2 has just been launched, and you can download the free trial version by clicking this link: www.jplay.eu/trial/JPLAY5.2_TRIAL_Version.zip.

Special deal for Murfie customers (through 12/31/13):
For a limited time, the price for a JPLAY single license for Murfie customers is $121. It includes a 32 and 64-bit installer in one package, free lifetime upgrades and personal support directly from the authors. JPLAY will provide Murfie customers with the fully working player shortly after payment using www.jplay.eu/murfie/.

Here’s to the audiophiles out there!

Staff Picks: Ally’s Picks

As a Murfie newbie in an office populated by seasoned music lovers and audiophiles, I thought there was no better way to make my introduction to Murfie’s blogosphere than to make my own musical statement. Now, it’s worth noting that though I may be young, I don’t tend to be the Murfian digging up the next big thing. I’m a believer in my own tried and true—the bands that have continued to narrate my life by never failing to make music that just sounds right.  I’m the kid you went to elementary school with who just wouldn’t ditch his blankie: when something’s right, I never want to let go.

6334-largeKid A by Radiohead

As a die-hard Radiohead worshipper, it’s rare to find a Radiohead album I don’t like. Kid A, however, occupies its own musical universe. It’s music that gets under your skin, a paradoxical listening experience that’s quiet and cacophonous at the same time. Thom Yorke’s famous alien-esque vocals lend an ethereal feel to the album, giving you 48 minutes of a complicated, slightly unsettling dream. At the end of those 48 minutes and after tracks like “Everything in Its Right Place” and “Idioteque”, you’re left amazed that this album was created in a studio. What makes Radiohead the greatest band on earth is exactly that: every track sounds like the product of some unearthly time and space—and leaves you longing to learn more.

5710-largeWhite Blood Cells by The White Stripes

This album is not only at the top of my most played albums list; it so far exceeds the second place finisher that it feels like a natural, if not inevitable, fit on my staff picks. Without a single dud of a song, White Blood Cells has become as natural a part of my day as breathing (and certainly more natural than waking up in the morning). The White Stripes don’t have much instrumental variety—they love their guitar and drums—but there’s something about the way they handle them that takes this album to another level. It’s rock and it’s blues and it’s gritty and hard, but it also has the variety and sentiment to make you feel each song right along with them. And feel you do—tracks like “The Union Forever” and “The Same Boy You’ve Always Known” illustrate Jack and Meg White’s mastery of imparting endless meaning into succinct songs. Their endlessly interesting take on rock keeps me pressing “play” over and over again.