Spring Cleaning Checklist: Music Collection

Spring is almost here…the official first day is March 20th! I know that most folks—especially us in Wisconsin—have been looking forward to this for months!

Spring cleaning has become a yearly tradition all over the world. It’s an opportunity to open the windows and shake the dust off everything in the house from top to bottom. It’s therapeutic—beneficial for your mind and physical health, for all kinds of reasons.

Don’t overlook your music collection when you spring clean this year. Your CDs and vinyl deserve to be checked, re-assessed, and re-organized. You may not have noticed how much your collection has grown over time, piece by piece. Here are some tips for how to sell the titles you no longer want, and breathe new life into your old favorites!

CDs

white_square_yellowDownsize. Figure out which titles are just taking up space since you don’t listen to them anymore. Order a seller’s kit to sell CDs to Murfie members, or sell your CDs directly to Murfie. You’ll earn money from each sale that can be cashed out or used in the marketplace.

white_square_yellowDigitize. Send your remaining collection to Murfie, where it will be ripped and uploaded to your personal account for high quality downloads and streams. Stream your music on the web, our apps for iOS and Android, Sonos, and even more devices. Download your music in mp3, aac, FLAC and ALAC to listen offline.

white_square_yellowDeclutter. Store your discs at Murfie and free up some space. Enjoy anytime/anywhere digital access to your music. Your collection will always remain yours, we’re just storing it for you along with any album art you send—and you can request your physical collection back anytime!

Vinyl 

white_square_yellowClean. Those ol’ vinyl records can become quite dusty over the years. If you send them to Murfie, we’ll use our multi-brush wet cleaning system to remove any dust that might be damaging the quality of your records.

white_square_yellowDigitize. After we clean and digitize your records, you can enjoy streaming on all your devices, and downloads in various formats. We remove pops, clicks, and background noise. Get started by ordering a vinyl kit.

white_square_yellowDeclutter. Just as we store CDs, we’ll safely store any vinyl records you leave with us while you enjoy convenient digital access. Don’t forget, they always remain yours—so request them back whenever you want!

Get organized this spring, and give your collection the cloud treatment it deserves! Get an instant quote for digitization on our CD shipping kit page and vinyl shipping kit page. As for the CDs you don’t want to hang on to anymore, order a seller’s kit to get ’em outta your house asap!

CD shipping kit
Vinyl shipping kit
Seller’s kit

Ownership Matters: Swift vs. free Spotify

In a move that shocked fans and media outlets, Taylor Swift pulled her entire catalog from Spotify on November 3rd without any advance notice. Swift was silent for a few days about the issue, and in the meantime Spotify asked her to bring back her music to the millions of fans who were already streaming it.

But when Swift responded on the issue a few days later, her reasoning became clear. It’s not that Swift doesn’t want people to stream her music—clearly people want to stream, and there’s no denying that. She just doesn’t believe Spotify’s model fairly compensates her for her work.

Some songwriters and big-name artists also question whether streaming payouts represent fair compensation. Album sales, unlike streaming, pull a large chunk of revenue forward for artists and songwriters.

If millions of fans are streaming Taylor Swift’s album on Spotify for free, it’s a near certainty that she’s selling fewer albums, and making less than she possibly could if everyone who listened to her album paid for it first. She also wrote an op-ed for the Wall Street Journal about the value of music.

Spotify’s CEO Daniel Ek recently explained to artists that “The more we grow, the more we’ll pay you.” He’s asking people to trust him, to believe the numbers will add up in the future if everything goes as planned. But all this, in Swift’s opinion, still seems like a “grand experiment.”

Swift believes the definition of fair compensation is that everyone who listens should pay, and that playing without paying devalues music. “And I just don’t agree with perpetuating the perception that music has no value and should be free,” says Swift.

Another artist, Amanda Palmer, has a different view. Palmer believes that not everyone who listens should have to pay, because the fans who truly want to support you will support you if they can. And for her, that is enough.

Something to think about is: you don’t have to pick between a streaming service and an album sale. You can buy the album, and stream it also. That’s the service we built at Murfie—streaming for your CD and vinyl collection from the web, your phone, tablet, and more. In great quality too.

Do you think everyone who listens to music should have to pay up front, or do you have a view like Amanda Palmer’s? Let us know in the comments!

Music for Your Workout

Nothing calls for the right music quite like an intense workout. Here are three of my picks to help get you through it!

Daft Punk Random Access MemoriesDaft Punk
Random Access Memories

Daft Punk is known to always deliver a surprise, and their latest work is no exception. The surprises began when one of the world’s best-know and best-loved Electronic Dance Music artists released an album that was much more ’70s/’80s pop, rock and disco  than it was EDM. As the opening track states, this album is a breath of fresh air; a work that announced its mission was to “Give Life Back to Music”.

The overall production quality of this album is absolutely superb; Daft Punk cut no corners on creating their latest statement. Although their music and instrumentals are fantastic, the real standout is their collaborations with artists they admire. Rather than pigeonholing themselves by working only with a certain type of artist, Daft Punk collaborates with artists young and old, spanning numerous genres, to create a truly well-rounded and interesting product. From Nile Rodgers’ and Pharrell’s turns in “Lose Yourself to Dance” and “Get Lucky” to vocals by famed house DJ Todd Edwards, Daft Punk proves themselves open to a range of influences.

Although the first half of the album gets off to a strong start with tracks like “Giorgio”, Random Access Memories comes alive in its second half. Cuts like “Touch” and “Contact” remind you why Daft Punk stole our hearts in the first place. “Get Lucky” may have been blaring through your speakers all year, but I promise: there’s workout gold–and musical gold–to be found in spades here.

Don’t Miss Tracks: “Beyond”, “Touch”

Nas IllmaticNas
Illmatic

In 1994, 20-year-old Nas released an album that garnered very little attention. Fast forward 20 years (can you believe it?), and the up-and-coming rapper who wasn’t old enough to buy a beer is now one of hip-hop’s greatest stars. In those 20 years, Illmatic has become massively acclaimed; it is without a doubt one of the greatest (if not the greatest, but I’m showing my bias) rap albums ever released, and is a welcome counterpart to any workout.

This album is Nas’ homage to the Bridge, the housing projects where he was raised. True to its influence, it brought hip-hope back to New York in the days after West Coast star Dr. Dre released The Chronic. Most importantly, however, it casts Nas as a street poet, the voice of a generation. He narrates his story in a simple but thoughtful way, letting us in on the difficulties of life without losing hope. Nas is a storyteller: with each song’s end comes an unanswered question that leaves you waiting for the next.

My only complaint about this album is its brevity; less than 40 minutes feels like nowhere near long enough. You’ll find yourself on a run, inspired by each and every track, only to have the music end by around mile five. When I’m out running, though, I don’t skip to the next album. I just repeat it. This one’s that good.

Don’t Miss Tracks: “N.Y. State of Mind”, “The World is Yours”

David Guetta Nothing But the BeatDavid Guetta
Nothing But the Beat

You probably know David Guetta as the guy who brought techno sound to the records of everyone from Rihanna to Usher. There’s nothing more workout-inspiring than some guilty-pleasure Top 40 music, and Guetta is the mastermind behind many of today’s top hits. This album, however, proves that he’s not just the man behind the scenes–he’s created tracks that will take you from a run to a night out and back again.

Guetta does a great job of blending genres together to create an effortlessly smooth final product. His signature house-music inspired techno beats somehow fuse together with hip-hop and R&B, creating an irresistible mix of workout-worth sound. This album is nothing groundbreaking, but you can’t deny Guetta’s influence: from Will.i.am to Nicki Minaj to Usher, Nothing But the Beat boasts a star-studded turnout of collaborations.

Where Guetta shines brightest is bringing an artist into his or her element. Whether it’s lending a romantic club beat to crooner Usher or a pulsing, fast-paced rhyme to Nicki Minaj, he knows how to draw artists out and make them shine. That’s what makes this album memorable–Guetta has taken household names and helped them make their best a little bit better.

Don’t Miss Tracks: “Titanium”, “Turn Me On”


Ally Boutelle
@arboutelle

Ally is a communications intern at Murfie, blogging about all things music. When she’s not typing away, she cooks spicy food, does hot yoga, and reads weird history books. She’s also a college student double majoring in history and journalism.


This Week in Music History (May 28th-June 3rd)

What’s music history got for us this week? Learn up and boogie down!

Oops I did it again5/28- On this day in 2000, Britney Spears topped the new millenium’s album chart with Oops!…I Did It Again. The album sold 1,319,000 copies in its first week and went on to reach No.1 in thirteen other countries. To date, it has sold over 20 million copies.

365447-large5/29- On this day in 1942, Bing Crosby recorded the Irving Berlin song “White Christmas” with the John Scott Trotter Orchestra and the Ken Darby Singers. According to the Guinness Book of World Records, Crosby’s version is the best-selling single of all time, with sales to date topping 50 million.

Beatles5/30- On this day in 1964, The Beatles‘ single “Love Me Do” reached No.1 on the US singles chart, the group’s fourth US No.1 in five months’ time. Although the single was originally released in the United Kingdom in October 1962, it did not become a hit in the United States until 1964.

114141-large5/31- On this day in 1977, The British Broadcasting Corporation (BBC) announced a ban on the new Sex Pistols single “God Save the Queen”. Although the single reached No.2 on the UK chart, the BBC declared it to be “in gross bad taste” and considered it to be an assault on Queen Elizabeth II and the monarchy. Lead singer Johnny Rotten, however, explained, “You don’t write ‘God Save the Queen’ because you hate the English race. You write a song like that because you love them and you’re fed up with them being mistreated.”

32093-large6/1- On this day in 1968, Simon & Garfunkel went to No.1 on the US singles chart with “Mrs. Robinson”. An early version of the song was featured in the film The Graduate, starring Dustin Hoffmann and Ann Bancroft. It was then re-recorded to be released as a single, which went on to win the duo a Grammy Award for Record of the Year.

7400-large6/2- On this day in 1984, British duo Wham! had their first No.1 hit with “Wake Me Up Before You Go Go”. The song was written and produced by British musician George Michael, who was one half of the duo. Michael’s inspiration for the song was a note his Wham! partner Andrew Ridgeley had left for his parents which read “Wake me up up before you go go”.

13293-large6/3- On this day in 1967, soul legend Aretha Franklin hit No.1 on the US singles chart with her cover of Otis Redding‘s hit song “Respect”. Although the two versions were musically very similar, Aretha’s version added the famous R-E-S-P-E-C-T chorus and backup singers’ refrain of “Sock it to me, sock it to me, sock it to me…”

Find these musical gems in our CD marketplace, and own your own pieces of music history! Every album purchase comes with unlimited streaming and downloads in mp3, aac, FLAC and ALAC. :-)

Sounds Like New York: The Best of the Empire State

This week, we’re heading east. Check out our reviews of three of the best albums by New York artists!

Paul Simon GracelandPaul Simon
Graceland

Simply put: this album is one of my absolute favorites of all time, and it should be on your list as well. As a solo artist, Simon is like a musical archaeologist, digging up influences from styles of music ranging from blues to salsa to reggae. Graceland represents his move even further away from the pop-rock mainstream charts he topped as part of Simon & Garfunkel. It’s heavily influenced by both South African music and culture, exploring both new sounds and new political statements.

Rather that simply merging African influence with traditional Western sounds, this album commits: Nine of its eleven songs contain elements of mbaqanga, or South African pop music. Much of the recording was done in Johannesberg, and the songs truly soak up the local sound. They also absorb the local politics; Simon’s collaborations with local musicians inherently address controversial issues like apartheid. On the standout track “Homeless”, harmonies by vocal group Ladysmith Black Mambazo suggest the possibility of peaceful resolution.

The title track, one of Simon’s greatest songs, best represents the album’s attitude. Although the song’s narrator is running from a broken relationship, he runs towards what he believes to be a place of happiness and redemption. Simon is unafraid to examine the dark sides of people and societies, but remains hopeful that there is always light to be found.

Don’t Miss Tracks: “Graceland”, “Homeless”

Jay-Z Reasonable DoubtJay-Z
Reasonable Doubt

Although this album was rap legend’s Jay-Z’s first and lowest selling, he himself calls it his best album to date. I’d have to agree: This album is a classic that belongs on the top shelf of any rap lover’s collection. It’s a mastery of execution-—smoothly delivered, easy to listen to, and filled with top-notch collaborations and quick, clever wordplay. In a genre that’s all about delivery, few have mastered the craft as well as Jay-Z does here.

What separates this album from the hundreds of other rap albums released in the ’90s? Jay-Z’s steady flow, witty lyrics, and confident delivery that put him on the map. Although it certainly contains tried-and-true themes of crime tales and street stories, his charisma is all his own. His humor and presence on each track make him a relatable figure who can sell to Middle America as well as he can to his native Brooklyn neighborhoods. This album establishes Jay not only as a rapper, but as a storyteller.

Another highlight on this album is the fantastic array of collaborations that blends in seamlessly. On highlight “Brooklyn’s Finest”, Jay-Z raps along with New York legend Notorious B.I.G. in a track that allows them to work together as equals, but also suggests subtle competition between the two for the song’s title. It seems only fitting that one of rap’s all-time greats would lend a hand on the debut of one of modern music’s most recognizable figures.

Don’t Miss Tracks: “Brooklyn’s Finest”, “Politics as Usual”

MI0000832128The Velvet Underground
The Velvet Underground & Nico

Velvet Underground vocalist and guitarist Lou Reed‘s death last fall brought this album back into heavy rotation in my collection. It was a reminder of how influential this band has really been: Despite the fact that this album only sold 30,000 copies when it was released, British musician Brian Eno famously said that “everyone who bought one of those 30,000 copies started a band”. Despite its initial commercial flop, this album has gone on to become one of the most influential of its generation.

This record is, in a word, fearless: In an era most noted for the Summer of Love, it combined lyrics about drug addiction and despair with pounding force and throbbing basslines. Despite its bold statement, it still contains surprising diversity. It moves from the smooth and stripped-down R&B sounds of “There She Goes Again” to the tough punk rock of “Waiting for the Man” without skipping a beat. Although the album’s controversial lyrics have ultimately gained it the most attention (and notoriety), they’re matched by a solid music backing that is equally unique and compelling.

What’s most fascinating is listening to this album after hearing decades of rock and roll develop from the late 1960s onward. After just a few songs in, it’s easy to see that nearly every brand of rock owes credit to this album.  From punk to new wave and everything in between, nearly everything in the rock genre has been influenced by the Velvet Underground’s sound.

Don’t Miss Tracks: “There She Goes Again”, “Sunday Morning”


Ally Boutelle
@arboutelle

Ally is a communications intern at Murfie, blogging about all things music. When she’s not typing away, she cooks spicy food, does hot yoga, and reads weird history books. She’s also a college student double majoring in history and journalism.


This Week in Music History (May 21st-27th)

What’s music history got for us this week? Learn up and boogie down!

300492-large5/21- On this day in 1970, Crosby, Stills, Nash & Young released the single “Ohio” in reaction to the May 4, 1970 Kent State shootings during which unarmed college students were shot by members of the Ohio National Guard.

2174-large5/22- On this day in 1965, The Beatles reached No.1 on the US singles chart with their track “Ticket to Ride”. The song was the group’s eighth No.1 hit. It was also used in the Beatles’ second film Help! and was a part of the film’s soundtrack.

375787-large5/23- On this day in 1970, Paul McCartney‘s debut solo album McCartney began a three-week run atop the US album chart. Apart from a few vocal contributions by Linda McCartney, McCartney performed and recorded the entire album as a solo project.

101405-large5/24- On this day in 1974, jazz legend, bandleader, composer and pianist Duke Ellington died of lung cancer and pneumonia at age 75. Ellington’s career spanned over 50 years; he was awarded a Grammy Lifetime Achievement award in 1966, and the United States Mint launched a new coin featuring his face in 2009.

32093-large5/25– On this day in 1968, Simon and Garfunkel‘s fourth studio album Bookends became the duo’s second US No.1 hit. The album was a breakthrough for the pair, launching them to superstar status. It contained their No.1 hit single “Mrs. Robinson”, which went on to win a Grammy Award for Record of the Year.

12589-large5/26- On this day in 1990, the top five positions on the US singles chart were held by female artists for the first time. Madonna was at No.1 with “Vogue”, members of Heart were at No.2, Sinead O’Connor at No.3, Wilson Phillips at No.4, and Janet Jackson at No. 5.

114141-large5/27- On this day in 1977, The Sex Pistols‘ single “God Save the Queen” was released in the United Kingdom. Although the track sold over 200,000 copies in one week and peaked at No.2 on the UK charts, it was banned by TV, radio, and stores because of its controversial lyrics.

Pick up these pieces of music history in our CD marketplace! Every album purchase comes with unlimited streaming and downloads in mp3, aac, and lossless formats FLAC and ALAC. :-)

Mom-Approved Modern Music for Mother’s Day

Mother’s Day can often mean a trip back home to spend the day with a certain woman who raised you. I love a good family tradition (and I love my mom even more), but let’s face it: A day of listening to music released circa your mom’s high school years can get a little, well… old. Here are three suggestions to bring your mom into the 21st century, music-wise, this Mother’s Day. Take them for a spin this Sunday—they’re guaranteed to not contain too many lyrics that will make family listening time uncomfortable. (Author’s Note: All albums have been successfully test-driven by my mom.)

MI0003392585Channel Orange
Frank Ocean

This 2012 record was the beginning of something big: Frank Ocean is one of the most incredibly talented singers and songwriters of our time. This record is packed full of the stuff of legends: One-of-a-kind lyrics, an ambitious sound, and a sizable helping of passion and philosophy. Ocean is a storyteller, and his stories highlight the best and the worst of what it’s like to be alive.

Musically, this album is a mishmash in the best possible way. It fuses influences from decades past (think ’70s funk sounds and ’90s hip-hop) with a new and thoroughly modern groove, including truly awesome use of quiet electronic percussion. There’s also heavy soul influence here–moments on this album suggest flashbacks to Stevie Wonder and Marvin Gaye. I rarely listen to R&B, but I sure would if it all sounded like this. The songs have tight verses that hit you with incredible impact. The sheer force of emotion on this album hits you hard, creating a soundtrack for those who have lived, loved–and most of all, lost.

Don’t Miss Tracks: “Bad Religion”, “Pyramids”

MI0003341793Blunderbuss
Jack White

Up until now, Jack White has been part of a group, whether alongside Meg White of The White Stripes or the rest of The Raconteurs. On this album, however, he’s the star: Not only is this a great solo record, it also holds its own among White’s incredible discography as part of a band. White’s reflections on life and love might tear you apart, but you’ll manage to enjoy every moment of the gut-wrenching process.

For White, going solo means that all his crazy musical ideas and influences find a home. This album contains traces of everything from old-school R&B all the way through modern country music. From his cover of Little Willie John‘s 1960 hit “I’m Shakin” to his use of fiddles and mandolins on “Blunderbuss”, a lot of ground is covered here. Jack White isn’t an easy man to figure out-—nor does he want to be: despite track after track lamenting the heartbreak of love, his female backup chorus includes his ex-wife Karen Elson. A few listens of this album, however, leave you with the impression that Jack White does his best work when he’s a little shrouded in mystery.

Don’t Miss Tracks: “Love Interruption”, “Sixteen Saltines”

MI0002921033Brothers
The Black Keys

For a group with such a stellar big-band sound, it’s hard to believe that The Black Keys are a two-man show. This album comes after both members took some time away from their main band, trying their hand at other projects. It was a well-needed break: This album is their best release in years, cementing their own unique sound and their position atop the blues-rock food chain. This is nothing incredibly new or different, but that’s why I love them: Consistency is key with a group that constantly delivers music that just sounds like a good time.

This album very successfully plays around with a variety of styles, incorporating everything from up-tempo beats on “Howlin’ For You” to quiet, haunting harpsichord on “Too Afraid to Love You”. My personal favorite addition, however, is vocalist Dan Auerbach’s incorporation of falsetto, For a band that’s made a name with its bluesy sound, a falsetto was certainly a surprise (and a welcome one at that). He nails the sound on tracks like “Everlasting Light”, bringing a much-needed new edge into the mix. For longtime fans like myself, this album set a new standard for the band, turning classic bluesy sounds into something fresh and creative.

Don’t Miss Tracks: “Everlasting Light”, “Howlin’ For You”