Shop Murfie During the 10th Anniversary of Record Store Day!

recordstoreday
Image courtesy of recordstoreday.com

It’s that time again! Record Store Day will be held worldwide on Saturday, April 22nd 2017. This year is especially important because it marks the 10th anniversary of the holiday’s inauguration in 2007.

What is Record Store Day (RSD)?

Record Store Day was founded in 2007 as a means of celebrating the culture of the independent record store. It brings together musicians, fans and record stores alike from all across the globe. A number of records are pressed specifically for the occasion and are distributed to participating shops in various countries. Live performances also take place in various record stores during this day.

What is happening at Murfie on Record Store Day?

The staff at Murfie have sifted through the inventory in our warehouse and personally handpicked CDs we know to be popular or hard to find. We’ll be making them available for purchase this Saturday in celebration of RSD. We made sure to include albums from a wide range of genres in order to satisfy the eclectic tastes of our customers. Whether you’re the curious listener in search of new music, or the veteran connoisseur looking to add to your collection, we’ve likely found something just for you.

Here is just a sample of some of the albums we found for you! See any that you like?

cd-table

For all you listeners out there looking for the classics, we’ve picked a number of albums from the greats including Led Zeppelin, Bob Dylan, Queen, Prince, The Police, Bruce Springsteen, Carly Simon, Yes, The Talking Heads and Fleetwood Mac.

If you’re looking for Jazz or Soul we’ve selected a few great recordings from Billie Holiday and Ella Fitzgerald, as well as solid picks from Coltrane, Wes, and Miles. We also have a few titles from Dizzy Gillespie, Thelonious Monk, Lester Young and Count Basie.

Rock and Progressive Rock fans, you won’t be disappointed. We’ve picked a number of hit albums from artists such as Goldfrapp, Phil Collins, Fall Out Boy, Queens of the Stone Age, Modest Mouse, Evanescence, Def Leppard, Red Hot Chili Peppers, Willie Nelson, Spoon and Jefferson Airplane. Of course we also had to include Pink Floyd’s “The Wall” and “Dark Side of the Moon”!      

If Metal or Punk is more your thing, we’ve selected albums from Metallica (including the self-titled black album which went 16x platinum), Medadeth, System of a Down, Ozzy Osbourne’s “Blizzard of OZ”, Mudvayne, Disturbed, Foo Fighters, Rage Against the Machine, Korn, blink-182, Green Day, Sum 41 and Linkin Park.

Pop and Top 40 fans, we’ve picked a ton of everyone’s favorites from artists such as Lady Gaga, Keri Hilson, Katy Perry, Madonna, Selena Gomez, Black Eyed Peas, Taylor Swift, Amy Winehouse, Aaliyah, John Legend, John Mayer, Coldplay, Maroon 5 and One Direction.    

Hip-hop heads jump around! We picked classics from artists such as House of Pain, Blackalicious, Public Enemy, Dr. Dre and Eminem. We also included more modern rap albums from artists like Wale, N.E.R.D., LMFAO, Outkast, Lil Wayne and  Kanye West. In addition, we chose albums from reggae/rap artist Damien Marley as well as reggae legend, Bob Marley, for you to enjoy.    

For the Electronic and Experimental listeners, we picked several titles from artists like Telepopmusik, Vangelis, Jamie Lidell and the Blue Man Group.   

We also have a number of soundtracks we will be selling including, Space Jam, Twin Peaks and Star Wars Episode 1.    

All this and more will be for sale Saturday, April 22nd 2017. We’ve selected albums from almost every genre to ensure you of a sweet find during your dig!  

Don’t see what you’re looking for?

If during RSD you aren’t finding the albums you’re craving, don’t forget to check the rest of the Murfie shop. We have a wide selection of albums to choose from, many of which sell for low, low prices!

What options do I have after purchasing my albums?

Murfie provides a service that allows listeners to purchase albums and instantly stream them in the following formats: FLAC and ALAC, mp3 and AAC. You can also send us albums you’ve purchased from other vendors and we will rip them to your Murfie account.

The physical copies of the albums are yours, but we will store them indefinitely in our warehouse until you choose to have them sent to you. This way you can maintain a clutter-free environment while you enjoy your favorite albums from your preferred devices.

Check out our FAQ for answers to all your basic questions or feel free to contact us, and we will gladly answer any of your questions about our services.

Record Store Day is Almost Here!

record-store-day-vinyls

Attention all you audiophiles out there! If you didn’t know, the 10th anniversary of Record Store Day will be commencing Saturday, April 22nd 2017. In celebration of this informal holiday, Murfie will be selling a number of handpicked CDs.

Record Store Day was founded in 2007 as a means of celebrating the culture of the independent record store. It brings together musicians, fans and records stores alike from all across the globe. A number of records are pressed specifically for the occasion and are distributed to participating shops in various countries. Live performances also take place in various record stores during this day.

In addition, we are pleased to announce that St. Vincent (a frequent contributor to Record Store Day), was elected to be its ambassador! In the past she offered a red seven-inch single in 2012, a ten-inch in 2015 and took part in a Vinyl Tuesday panel.

The staff here at Murfie are excited to celebrate this holiday with both its customers and the community. No doubt we will be doing a little digging of our own! We will be announcing our newly listed CDs next week before the big event so stay tuned.

Which artists are on your Record Store Day wishlist? The Murfie shop might have just what your looking for!

Murfie is Moving (Again)!

With over 750,000 CDs in the Murfie warehouse, the time has come for the company to relocate to bigger digs!

It’s been truly enjoyable having Murfie on Madison’s Capitol Square surrounded by fantastic companies and people. However, Murfie has simply outgrown the space! With the amount of physical music being sent in to be digitized and stored, the best solution was to find a warehouse where there’s plenty of room for the growing amount of CDs and vinyl….plus all the Murfie staffers of course!

Murfie is moving to Middleton, Wisconsin, in the old Full Compass building. Full Compass is a Madison-based music company as well. The new neighborhood is looking beautiful as can be, and the staff is relieved to be able to keep all of Murfie operations under one spacious roof.

Starting today, Murfie will begin to move all inventory to the new Middleton warehouse, which will continue for 1-2 weeks. In the meantime, you can still access your music digitally, so no worries there!

Murfie has a new focus of maintaining the largest and most diverse source of lossless music on the web.  So—see you on the other side, in Middleton!

– The Murfie Crew

Murfie, Inc.
8001 Terrace Ave, Suite 201
Middleton, WI 53562

 

Parents of college students: Time to declutter, including CDs

Convert CDs into digital music that can be listened to anywhere.

Kids leaving for college is a huge change for everyone. New college freshmen are most likely living away from home for the first time, and their daily routines will be different. Parents will deal with the effects of having their kids leave to become young adults.

Material lives will change. College students can typically bring a fraction of the possessions they own into their new space. In many cases, parents are left with stuff. Loads and loads of it. It might seem ambitious to want to tackle sorting and downsizing everything, but it’s really not.

You can do small decluttering projects instead of visualizing everything as one incredibly huge and looming task ahead of you. Choose one small thing to start: like a CD collection that ‘s been building up.

Luckily there’s a way to declutter CDs that college students leave behind, without losing the music on them and the investment made in purchasing them. Murfie will store music CDs and convert them into digital files that can be listened to anywhere on phones, computers, and other devices.

Simply order a Shipping Kit from Murfie to get started. You’ll receive a box sized for your collection, plus tape and a return label. While your CDs are stored at Murfie, they will always remain your property, and you can have them returned at any time.

Decluttering your home and freeing up shelf space frees up the mind as well. Without CDs on your hands, you can focus on your next decluttering project and have music to listen to as you do it. Contact us to learn more!

Ownership Matters: What Apple Music users and Jim Dalrymple should know

“This is Apple Music. And it’s just the beginning.”

Apple’s website tells all: a single user can subscribe to their new streaming service, Apple Music, for $9.99/month. Though it is in fact just beginning, the new service has been met with a cascade of criticism.

Users reported some major hiccups with the service, including the iCloud Music Library aspect, which is meant to bring your iTunes library onto all your devices for you to stream anywhere. Users were reporting duplicate songs, songs that were moved to the wrong album, and missing songs.

Apple blogger Jim Dalrymple’s situation was particularly upsetting. When he was having complications with Apple Music, he decided to turn it off on his devices, resulting in what looked like 4,700 songs disappearing from his view. It’s reason to panic indeed, although Apple Music technically does not alter any of the original song files stored on your PC or other locations.

If your music “disappears”, whether permanently or temporarily, it’s important to have a backup just in case. Choosing to buy physical music that you own saves you from losing files, and from being at the mercy of a large music service, which are both terrifying things.

When you buy a CD on Murfie for example, we’ll give you the download to add to your iTunes, and streaming access you can take anywhere. If something happens to your files, whether it’s your fault or Apple’s, you’ll always have a perfect archive of all the music you own, ready to be downloaded again at any time. If you don’t want to hang on to the CD, we’ll hang on to it for you.

If you choose ownership, you will always have access, and there will be no need to worry. This is something that all Apple users, including Jim Dalrymple, should hopefully know—and we’d love to have them try us out!

Interview with Red Wanting Blue [Podcast]

Red Wanting Blue is a rock n’ roll band from Columbus, Ohio. They’ve been making waves since 1996 with a steady output of albums and tours. Their frontman Scott Terry called in to the Murfie office recently to chat about the band’s experiences, including signing with a record label, and avoiding a near-fatal car crash that inspired their new album. We cover topics in the music industry of course, like transparency in the streaming business, and the paradox of choice that comes with infinite access. Scott is definitely a fan of music ownership and collecting physical music, and in fact, he points out how physical music can be an extension of your personality. He also embraces the amazing influence computers can have in creating music and reaching fans.

Here’s a transcript of our interview, along with the Soundcloud link below for your listening pleasure.

Note: This interview has been edited for length and clarity.

Who: Scott Terry; interviewed by Kayla Liederbach
When: Tuesday July 7th, 2015
How: via phone

K: I’ve got Scott Terry on the phone from the band Red Wanting Blue. And Scott, you just started your tour called the Our Little America Tour, how’s that going so far?

S: It’s going great, it’s going great. Actually right now we are in Columbus, Ohio, and we’re just now getting ready to make a trip up to Edmonton Alberta Canada. So we’ve got kind of a long way to go and a short time to get there.

K: Well this definitely isn’t the first time you’ve gone on a tour, and it’s going through the end of August, so I was wondering if you have any tips for going on tour, for a musician who hasn’t gone before. What do you do to get through?

S: You know what, it’s funny you say that because I have literally thought of writing a book, or like a short guide, for survival tips when you’re on the road with a rock n’ roll band. I don’t want to give away too much of my book. But I would say, if I had to give some tips to some young bands: try to avoid gas station restrooms. Usually there is a hotel off that same exit. They’re in the hospitality business, so they’re not gonna question you if you’re a guest at the hotel. You can just walk in and go straight to the lobby. That’s a Scott Terry survival tip, although we haven’t had to use that one in a little while. We’re fortunate, we’ve got a bathroom on our bus now. More important tips on the road would be: try to stay active. One of the things that we do is we try to avoid fast food, because I think it makes you feel bad. Even if it tastes good going down, you usually regret it a little bit later. Or a lot, depending. We also try to stay fit while we’re on the road. You’ve got a lot of downtime sometimes between load-in and sound check, and performing. So we’ll try to go for jogs and keep ourselves in shape, and so that’s a good thing to do. Again, I don’t want to dig too much into my stash of secrets.

K: We’ll have to keep a lookout for that book. You need to have your own hashtag, #ScottTerryTourTips. Well those are definitely helpful, staying active and eating right.

S: Yeah and it sounds lame to say it like that, but the truth is that—I don’t want to sound preachy—but we run across bands who live up to the illusion and the idea that a band that’s traveling, you know—rock n’ roll band, partying every night. At this point in my career, I think that’s a difficult thing to sustain, it’s hard to maintain that lifestyle and live like that. It’s good to cut loose every now and then, but I think ultimately, you’re going to be going from town to down, driving from cold weather conditions to hot weather conditions. You’re putting your body through a lot of sleepless nights and the schedule can be rigorous and brutal, and the best thing you can be doing for yourself in order to make it through the shows so that you’re not apologizing to your fans like “Sorry I have a sore throat, sorry I got sick,” is to—because the road will run you down, I mean it is longer than you, it will definitely run you down if you open yourself up to that—so the thing you have to try to keep in mind, is: pace yourself, and always try to stay on top of your health. That’s my fatherly tip to the young bands out there.

Red Wanting blue Little AmericaK: Right, coming from experience. I mean that’s great to hear. and you guys have experience touring, you have experience putting out a lot of albums, so I was wondering if you look back at everything you’ve done so far—I  know you have a new album out, but—considering everything, is there a certain album you’ve put out that you personally feel most connected to?

Continue reading Interview with Red Wanting Blue [Podcast]

Interview with DJ Pain 1 [Podcast]

DJ Pain 1DJ Pain 1 is a prominent hip-hop producer, and over the years he’s worked with names you know like Young Jeezy, Public Enemy and Ludacris. He’s also a Madison local and active community member who volunteers for non-profits. We had the great pleasure of having him here at the Murfie office recently.

In this interview, he brings up some important topics—like the pressure that Madison police put on venues that try to book hip-hop shows. Unfortunately, the lack of hip-hop in Madison makes it hard for talented acts to really blossom in town. What you might not know about DJ Pain 1 is that his real name is Pacal Bayley. He’s a true lover of all dedicated musicians, a physical music collector, and a mushroom hunter—although he’ll never tell you where he finds morels.

Now, I don’t want to give away all the best parts. Here’s a transcript of our interview along with the recorded version (below) on our Soundcloud player.

Note: This interview has been edited for length and clarity.

Who: DJ Pain 1; interviewed by Kayla Liederbach
Where: Murfie HQ, Madison, WI
When: Wednesday July 1st, 2015

K: So I am currently in one of the Murfie warehouse rooms surrounded by discs with DJ Pain 1. Welcome to the office, first of all.

DJ: This is kind of surreal.

K: It is. Being surrounded by so much music kind of makes you think about all the albums that have come out over the years.

DJ: Well all I see is boxes, so I’m just smelling cardboard—and there are all these boxes with numbers written on all of them. It’s like musical coffins or something.

K: That’s one way to think about it, for the people who store their CDs here. We do have people who get their CDs digitized and shipped back to them. But I suppose it is a good resting place, and these boxes are actually like water resistant and temperature—

DJ: Oh they are?

K: Yeah we make sure everything stays nice and cozy in there. But you know there are a lot of things to talk about in music, especially someone like you who is involved on all these different levels. So over the years as you’ve gained all your experience, the music industry has changed a lot, especially recently, in terms of the way people listen to music, and the way it’s being released. So in your opinion, is the music industry changing for better or for worse?

DJ: I think it’s always a duality. I think access is a good thing, and access has been improving for decades now. And so what access begets is saturation. And of course it changes the landscape as far as fans are concerned and their expectations of artists. They expect a lot of music, and they expect instant access, and they expect free most of all. And so that’s not necessary a bad thing, because it’s forced artists to really adapt in new and innovative ways, whether it’s just challenging the traditions of a genre or finding new and exciting ways to market and promote themselves. So, it’s good for some and bad for others, I guess that’s a subjective question. And I don’t necessarily know, because I’m benefiting a lot from it—but then on a macro level the music industry is just kind of crumbling before my very eyes. At first that kind of scared me, but now I’m just sitting there looking at my watch waiting for it to happen, because I kind of can’t stand the paradigm. But it also every now and then lets me in through a door, and then I make some money and get some notoriety off it.

DJ Pain 1K: Well I like what you said about finding ways to adapt that are new and interesting. I feel like that’s gonna be the differentiator between people who succeed regardless of how the music industry ends up being. So what are some of the best ways that you’ve learned to connect with your audience and make a living?

DJ: I give a lot of stuff away for free. And maybe the ratio is somewhere around 10:1 or 15:1. 15 being what I give away and 1 being what I sell. It gives me more leverage for the people that are following me and benefiting from the resources I give out. So I don’t know if it works, but it’s worked for me in some capacity, so I’m going to keep doing it.

K: Well especially if your music is good and people like it.

DJ: Yeah with me I really speak more to the producer community, so: free resources for producers, a lot of video advice for just aspiring artists of all kinds, and streaming Q&A shows, panels, the professional development stuff that we do locally here. I’ve done it around the country too a little.

K: So you’ve seen Madison’s music scene, and you’ve also traveled to different places. How does Madison’s music scene compare to other places?

DJ: That goes back to the word access. I’m gonna use Appleton as an example just because it’s so close and it’s so much smaller than Madison. I mean, their population is a lot smaller than Madison’s. You know alone we have 40,000+ just students, just like a transient population, but Appleton has more venues, more music events going on concurrently, more music festivals, and just it seems that there’s more access. And I know that things have changed maybe in the last year or two, but when I go there it appears to me that they have more going on. When you come to Madison there are very few options as far as live music goes, and especially if you’re a fan of what people would consider—quote urban unquote—styles of music. That’s unfortunate. Because I mean the talent here isn’t any less amazing. And I’ve been all over the place and we have great talent here. But I think access and opportunity not only allows for sustainability, but it also promotes talent too, and growth too. I mean people feel boxed in here, so I don’t think we’re all growing as much as we could be.

K: You know, when you say that, I do realize I haven’t seen a lot of hip-hop and rap shows being promoted.

DJ: No they’re all banned, it’s banned. Name a venue and I’m probably banned from it.

K: Really! Majestic? Frequency?

Continue reading Interview with DJ Pain 1 [Podcast]