One of my favorite aspects of Murfie is the ability to download my albums in lossless formats. I personally prefer FLAC, but ALAC is an equally great option. I was super excited, then, to hear about our partnership to allow lossless streaming on Sonos and VOCO devices.
Now that I have the ability to stream in full, lossless CD quality, I thought it would be fun to recommend a few albums that are particularly great for lossless listening. This list was put together largely by consulting mixing and mastering insiders. These are albums often used by studio engineers as standards for how a particular genre may sound at peak performance. With that said, grab a good pair of headphones or hook up your Sonos or VOCO and relax!
Sea Change by Beck was mastered by Bob Ludwig, one of the most respected mastering engineers around. In addition to working on Sea Change, Ludwig has worked with over 1300 artists, including the Kronos Quartet, Nirvana, Led Zeppelin, Radiohead and more. Sea Change does a great job of pumping out clear dynamics without falling too far into the trenches of the Loudness War. Particularly of note here are the vocal and drum captures.
Another great piece of work by Bob Ludwig is New Favorite by Alison Krauss + Union Station. This album is noted for great clarity in vocals, maintaining solid, crisp levels for the rest of the sonic space, too. Everything is mixed into a great soft texture that will fill up any room. A lot of the popularity of this album – which charted on Billboard for both Country and Bluegrass categories – comes from the fact that Alison Krauss also appeared on the exceedingly popular O Brother, Where Art Thou? soundtrack the same year as New Favorite debuted.
With over 10 million sales across all albums, Deep Forest is perhaps one of the most popular world music groups around. Their debut self-titled Deep Forest album accounts for nearly a third of those 10 million sales alone. Deep Forest was mastered by Vlado Meller at Sony’s New York studios, and it demonstrates a wide range of sonic qualities, all mastered together as one cohesive unit. If you want some good sounding lossless reverb, this is the album for you. Though the group is still active, the only album to outsell their debut has been 1995’s Boheme, with over 4 million sales worldwide.
George Duke was a master and pioneer of the keyboard, dominating the world of jazz, as well as mainstream music. Unfortunately, Duke passed away earlier this month, but his legacy is huge to say the least. Many of Duke’s newer recordings were mastered by John Vestman and mixed by Erik Zobler, and are used as reference discs for how keyboards should sound. Duke’s solid arrangements make for very clear, wide recordings that sound great on headphones or high-end systems. I personally recommend Cool, Is Love Enough? and Dukey Treats.
Now that you have some of my picks for lossless listening, I’d like to hear yours! What album(s) do you think sound the best, particularly in a lossless format? Leave a comment below, and we’ll give it a spin at Murfie HQ.