We know everything is bigger in Texas, but is the music better? This week, check out reviews of three albums by The Lone Star State’s greatest!
Listening to Pearl feels a bit heavy, and there’s certainly reason for that: Janis Joplin’s last, the album was recorded near the very end of her life. After succumbing to an overdose at 27, she would never live to see it finished and released. Her tragic ending was a symbol of how she lived: erratically, but remarkably—an incredible voice and presence that belonged to a very troubled woman. Pearl is both a testament to her incredible talent and a hint of what could have been.
One of the album’s greatest strengths is Full Tilt Boogie, the backup band that’s with her through every track. Together with Janis’ big voice, they create a sound that lets her rock, but keeps her refined and smooth. She doesn’t overpower them, nor they her—it’s a harmonious combination. On tracks like “Cry Baby”, Janis is her full, belt-y self, brought down to earth with Full Tilt Boogie’s influence.
This album has an organization to it that other Joplin records lack, and it’s a refreshing and new take on her music. Previous albums like Cheap Thrills have essentially lacked structure; while letting Joplin’s trademark rawness show is great, the extra guidance in these songs lets her shine in a different way. Her intensity is kept in check just enough to let the songs fully develop, but not so much that she never has her big moment. This album has taken an already incredible talent and refined it into something that much more listenable.
Don’t Miss Tracks: “Cry Baby”, “Mercedes Benz”
Los Lonely Boys
Los Lonely Boys
Los Lonely Boys are certainly true to their Texas roots—they call their musical style “Texas Rock n’ Roll”, a fusion of rock, soul, country, blues and Tejano. A group of three brothers, the band is forging those influences into a brand-new and extremely inspired sound. To cement their status as a true Texan band, the group recorded this album at Willie Nelson’s Pedernales recording studio.
At the heart of this album is their incredible music talent and creativity. Rather than making the album hard to follow, the group’s numerous musical influences instead work their way into a track list that is incredible varied and creative, yet cohesive. That variety turns out to be their greatest strength on Los Lonely Boys: “Crazy Dreams” is a masterpiece of guitar riffs, while “Dime Mi Amor” shifts effortlessly into a Latin-rock structure that echoes Carlos Santana.
Variety isn’t these brothers’ only talent, however: this album shines on instrumentals, vocals and songwriting. Rather than sticking to their Texas roots, their talent elevates them to what feels like a new genre: their songs are crafted with incredible nuance; they find a place in both your heart and your mind. Whether it becomes the soundtrack to your summer party or a quiet at-home listening session, this album deserves a place in any music collection.
Don’t Miss Tracks: “Crazy Dreams”, “Senorita”
It’s impossible to write a compilation of Texas music without at least one country album, and there is no country star more worthy of such a spot than the King of Country: George Strait. Texan-born, George Strait has released dozens of albums and had dozens of No. 1 hits. Twang is a testament to his signature sound and the solidifying of his status as country’s music supreme ruler.
A true Texas star, Strait’s collection not only contains nary a bad album, but manages to stay true to his Texas sound. After releasing so many albums, Strait still manages to find a new sound on Troubadour. The album finds him looking introspectively, creating a soft, mellow sound that is calm and soothing without ever slipping into melodramatic or depressing. On this album, he certainly sounds like a Troubadour—a singer who has had a long and varied career, but always manages to emerge that much better.
It would be easy to mistake Troubadour’s 12 songs for simple tracks, but his sound and songwriting prove otherwise. He’s enlisted a lot of outside songwriting help here, including Buddy Cannon and Monty Holmes, but the songs weave together into a calming, cohesive collection. Despite the number of people involved, the album keeps its attitude going all the way through: it’s a subdued, intimate album that sounds like the soundtrack to events you’ll want to remember. Strait stays true to his Texas roots for a reason: why mix it up when you do it so well?
Don’t Miss Tracks: “River of Love”, “It Was Me”