Bob Marley & the Wailers, like many other bands, have evolved dramatically throughout their career—and they constantly churned out records, whether it was as The Wailing Wailers, The Wailers, or (most famously) Bob Marley & the Wailers.
Their albums give a snapshot of the changing lineup and production of the band, from the early ska years at Clement “Coxsone” Dodd’s studio in 1965, to the band’s oftentimes most revered years working with the genius (and eccentric) producer Lee “Scratch” Perry in the early seventies, to the departure of Peter Tosh and Bunny Wailer, and the addition of Rita Marley, Judy Mowatt and Marcia Griffiths, the I Threes, as backing vocalists. Today, the group tours as The Wailers band, with Aston “Family Man” Barrett as bassist and the only remaining member from the band’s earlier years.
Bob Marley & the Wailers have some incredible reggae albums, and a “Top 5” list is certainly debatable. Let me just say it took me quite a while to narrow these down, and I’m still feeling guilty about leaving some out. And no, Legend is not on this list—and if you think it should be, then get outta here! What do you think about these?
Exodus is simply an incredible album from start to finish. Even the first song “Natural Mystic” begins quietly, and grows louder on just a pulsating groove. When full volume is reached, the groove is met with a bongo roll, and Marley starts his prophetic lyrics with “There’s a natural mystic blowing through the air.” The first half of the album focuses on a huge and often-debated Rastafarian idea of leaving Jamaica and returning to the African homeland. Jamaica was in turbulent political times in 1977, and the band recently survived its own turbulence as well—an attempted assassination of Bob, Rita and other members in 1976, and a lineup change before that (Tosh and Wailer departing in 1974 for solo careers, and the I Threes and Wailers backing band arriving in their place). Exodus also brought the world-famous song “One Love/People Get Ready” to the masses, virally spreading a message of universal love and unity to people all over the planet. This album was recorded in both London and Jamaica and was originally released via the popular Island record label, bringing the band much success.
Album highlights: “Natural Mystic,” “Jamming,” “One Love/People Get Ready,” “Three Little Birds,” “Exodus”
4. Kaya (1978)
Interestingly, many songs on Kaya were recorded alongside tracks from Exodus the previous year at Island Studios in London. The main topics on this album are less political and more easygoing—themes of romance, nice weather, and herb or “Kaya” are prevalent. On the easygoing side of things, the song “Easy Skanking” is one of my all-time favorites—it has a nice, relaxed vibe, and it reminds us to “take it eeeeasy.” On the love side of things, the song “Is This Love” simply recognizes the growing feeling of caring for another, and it’s without a doubt one of Marley’s most popular tunes.
Album highlights: “Easy Skanking,” “Is This Love,” “Sun Is Shining,” “Time Will Tell”
3. Live at the Roxy (Recorded: 1976, Released: 2003)
That’s right, I chose a live album as #3—and don’t knock it ’til you’ve heard it! Live music has a magical, raw energy. This album genuinely captures that energy from one of the band’s prime years and keeps it alive for listeners today. Live at the Roxy is guaranteed to give you some shivers when you feel what I just described.
There are so many highlights from this album, both obvious and subtle—and they go way beyond what can happen in a studio. One example of this is how the audience cheers with delight after recognizing the opening notes of “Rebel Music (3 O’Clock Road Block).” In the same song, Bob strings together and slurs his plea to the arresting officer in an entertaining and animated way.
Something else I love about this album: The wonderful I Threes and their backing vocals, especially on “Them Belly Full (But We Hungry)”. Their na na na, na na na na na’s act as a kind of a melodic baseline. And a lot of the songs on this album are extended well beyond their studio counterparts time-wise, letting the listener enjoy the special instrumental grooves, periods of drum and bass, and more. The super-slowed-down, crawling skank on this version of “Burnin’ and Lootin'” is something worth hearing as well. Disc two of this album contains the awesome song “Positive Vibration” and a medley containing the songs “Get Up, Stand Up,” “No More Trouble,” and “War.”
Album highlights: “Rebel Music (3 O’Clock Road Block),” “Them Belly Full (But We Hungry),” “Introduction + Trenchtown Rock,” “No Woman, No Cry,” “Roots Rock Reggae”…basically every track on here.
I’m taking it way back to the early years of the band here with Soul Rebels, recorded in Kingston, Jamaica, and produced by none other than the highly acclaimed, slightly mad, Lee “Scratch” Perry. This album is more “simple-sounding” to me than the others. It has more of a basic instrumental setup, with less of a dubby sound than the later bass-heavy versions of songs emphasized. The reason I love this album so much is it captures most of the original band in their early form, before signing on to major labels. Bob’s youthful voice fittingly asks listeners to “Try Me” on track two. Bunny Wailer and Peter Tosh lend their backing vocals throughout the album, and the trio sound wonderful singing together (Peter Tosh on the lower vocal range and Bunny Wailer on the higher side. Funny note: I used to think Bunny Wailer’s vocals were that of a female until I learned more about the band). Tosh sings main vocals on the songs “No Sympathy” and “400 Years,” showcasing his militant demeanor and knack for pointing out injustices. I also love the song “It’s Alright” a lot, it’s one of my favorites, actually—and when you first hear it, the exciting thing is you don’t know that it’s a reggae song right away. In fact, it could be considered a rockers jam.
Another thing worth noting: I never liked the cover art on this album. It has no connection to the subject matter whatsoever. Apparently, the band felt the same as I, and they weren’t consulted about it before the album was released.
Album highlights: “Try Me”, “It’s Alright”, “No Sympathy,” “400 Years”
And here it is, arguably the best Bob Marley & the Wailers album, Burnin’. Why is it #1, you ask? Well first of all, it contains an awesome version of “Duppy Conqueror,” a song that stands out to me for its melody and message.
“Yes me friend, me good friend / Dem set me free again… / The bars could not hold me / Force could not control me / They tried to keep me down / But Jah put I around…”
It’s the kind of song that empowers you to overcome oppression of any kind, whether it’s a prison cell in Kingston or any kind of government institution. Connection to and acknowledgement of a greater positive force will always help you overcome injustice, physically and mentally, whether you believe that force is Jah, the universe, or what-have-you.
More songs of empowerment are “Small Axe” (“If you are the big tree / We are the small axe / Ready to cut you down (well sharp) / To cut you down”) and “Get Up, Stand Up” (…stand up for your right!). With these examples, I mean to say that it’s the feeling of empowerment and hope, and the strength in unity, that makes this album so special, historically valuable, and important for future generations.
Album highlights: “Get Up, Stand Up,” “Small Axe,” “Duppy Conqueror,” “One Foundation”
To cover my @$$, here are my notable album mentions, each of them close to making the Top 5:
- Uprising (1980): “Coming in from the Cold,” “Redemption Song,” “Work,” “Could You Be Loved”
- Rastaman Vibration (1976): “Positive Vibration,” “Roots Rock Reggae,” “War”
- Catch a Fire (1973): “No More Trouble,” “Stop That Train,” “Rock It Baby,” “Stir it Up”
- The Best of the Wailers (1971): “Soul Shakedown Party,” “Soon Come,” “Cheer Up,” “Back Out,” “Do It Twice”
- Natty Dread (1974): “No Woman, No Cry,” “Rebel Music (3 O’Clock Road Block),” “Talkin’ Blues,” “Them Belly Full (But We Hungry)”
If you agree or disagree with my Top 5 albums, let me know in the comments! And, of course, check out the Bob Marley & the Wailers discography on Murfie.
Kayla manages social media and customer support at Murfie. You can hear her on the radio hosting U DUB, the reggae show, Wednesdays on WSUM. She enjoys hosting the Murfie podcast, cooking, traveling, going to concerts, and snuggling with kittycats.