Up until recently, I definitely did not consider myself a fan of folk music—I barely could name a folk artist, and never thought to add folk music to my listening rotation. In the last few months, however, I’ve become hooked on folk as a new soundtrack to car rides, homework sessions, and everything in between. Here are a few of my newfound favorites.
The Head and the Heart’s sophomore album has solved the problems of the bands overly fast-paced debut, slowing it down to allow for more thoughtful songwriting and lusher instrumentation. The melodies here are beautiful and complex, incorporating violin, banjo, piano and guitars into a smooth and mellow sound. Combined with singers Josiah Johnson and Jonathan Russell’s vocals, the album is the perfect combination of soulful and lighthearted.
This band masters the art of creating ballads that are heartfelt, not sappy, and it shows. Highlights like “Cruel” showcase the band’s excellent songwriting, which lends itself perfectly to their newly quiet and pensive sound. The result is a new kind of folk music—thoroughly modern, not lost or stuck in decades past—that seems to have real staying power. The Head and The Heart have discovered what works for them, and they’ll withstand any shifts in what’s popular in music. This album ultimately plays like a plea to just take a moment, be still and listen—the rest will work itself out in time, after all.
> Don’t Miss Tracks: “Cruel”, “Homecoming Heroes”
The Indigo Girls are everything a musical pair should be: they certainly collaborate, but their differences in style ultimately create a stronger and more interesting final product. This album at times has a split personality, moving from the upbeat, bouncy “Closer to Fine” (one of my personal favorite songs) towards brooding tracks like “Blood and Fire” that ruminate on topics like love and faith. Although the songs reflect each member’s individual personality, they nevertheless compliment each other seamlessly.
This album is raw and powerful—it feels almost unedited at times, but in a wonderful way. The tracks capture their passion and let their personalities and opinions shine through, never asking them to keep anything in check. The power that surges through these songs, however, suggests a musical duo whose talent will take them far. Combined with their truly poetic songwriting, the Indigo Girls create a commanding musical presence that captures attention and demands that you really listen to every last word they have to say.
> Don’t Miss Tracks: “Closer to Fine”, “Secure Yourself”
> Check out this Murfie Podcast that we recorded with Amy Ray of the Indigo Girls!
Although previous installments of Baez’s work centered around her anti-Vietnam war activism, Diamonds and Rust brings her back to her soulful, yet commercial, roots. The album is flush with outstanding music influences, including contemporary jazz greats like Larry Carlton and covers of legends the likes of Stevie Wonder. Although Biaz shines on cover tracks, original songs like “Children and All that Jazz” reveal a new style that’s personal and extremely appealing.
The real hero of this album, however, is the title track “Diamonds and Rust”, arguably Biaz’s finest achievement as a singer/songwriter. Written about her relationship with Bob Dylan, the track reminisces about what once was in a way that is intensely intimate. Her most popular track ever, the song is a folk classic and a whole new standard for the soul-baring love song category. The sheer power of “Diamonds and Rust” combined with the album’s other shining moments makes this album the best of Baez.
> Don’t Miss Tracks: “Diamonds and Rust”, “Winds of the Old Days”
Ally is a communications intern at Murfie, blogging about all things music. When she’s not typing away, she cooks spicy food, does hot yoga, and reads weird history books. She’s also a college student double majoring in history and journalism.