#FreeFriday: The Mouse and the Mask

Time for our second edition of #FreeFriday! Each week we’ll review an album, and give it away to one lucky winner. For a chance to win the album, all you have to do is read this post, then share on social media at least one of these ways:

  • Share this blog post on Twitter—use the hashtag #FreeFriday and tag @murfiemusic
  • Retweet one of the #FreeFriday tweets we send via @murfiemusic
  • Share our #FreeFriday Facebook post (in a public post)

Now, on to this week’s awesome featured album…
mouse

The Mouse and the Mask (DANGERDOOM, 2005)

DANGERDOOM’s 2005 album The Mouse and the Mask begins with a very interesting question. The first voice on the album isn’t either of the group’s two members but rather the voice of Brak (the catlike alien you may remember from Space Ghost) asking the listener “Why did you buy this album? …I don’t know why you did, you’re stupid.” Aside from bringing up deep questions about the appeal of physical music in a digital age (which we at Murfie know all too well) this opening perfectly sets the tone for the rest of the album. The Cartoon Network samples may make it difficult to take the album seriously, but the combined talents of Daniel Dumile and Brian Burton make it an album that, despite Brak’s protests, is definitely worth buying (or winning from #FreeFriday).

Dumile and Burton, better known by their stage names MF DOOM and Danger Mouse, are two of the most innovative and prolific hip hop artists of the last decade, and both were at the top of their game on this album. At the time of The Mouse and the Mask’s release, Dumile had released a plethora of material both lyrical and instrumental under several different names including Viktor Vaughn, King Geedorah, and Madvillain. Burton’s history isn’t anything to sneeze at either. By 2005 Danger Mouse had already gained national attention from his mixtape The Grey Album, a mashup of Jay-Z’s The Black Album with The Beatleseponymous white album. He went on to start Gnarls Barkley with Cee-Lo Green and Broken Bells with The Shins’ James Mercer. Burton was also credited with production on GorillazDemon Days, The Black KeysAttack & Release, and Beck’s Modern Guilt. It really is quite the resumé.

DOOM’s intricate rhyme schemes, Danger Mouse’s sampling skills, and the duo’s extensive experience make this album a great listen, but they’re not the only big names on the record. Burton’s pal Cee-Lo croons the silky smooth hook on “Benzie Box” while Doom spits alongside fellow New Yorkers Talib Kweli (on “Old School”) and Wu Tang’s Ghostface Killah (on “The Mask”). The album also features dialog from various characters from Cartoon Network’s Adult Swim, including the casts of Space Ghost Coast to Coast, Aqua Teen Hunger Force, and Sealab 2021.

The Mouse and the Mask follows a storyline in which Aqua Teen’s Master Shake keeps trying to convince Danger Mouse to help him produce a new rap album, but the goofy dialogue is just a frilly garnish atop a rich and complex musical feast. No matter where Danger Mouse goes with his samples, DOOM is right behind him with a mind-blowing string of carefully veiled puns and tongue-twisting alliteration. I’d love to tell you more about it, but in a single line Dumile gives a summary better than I could ever hope to provide with a thousand words. At the end of “Mince Meat,” he boasts: “Off a DAT tape of rap, country or deep house / I’ll make mincemeat out of that beat, Mouse.”

Share this post in one of the ways listed above, and we’ll let you know if you’re the winner on Monday! Good luck!



Andrew Hinkens

Andrew works in Operations at Murfie, taking great care to make sure all your albums are ripped quickly and accurately. He enjoys collecting vinyl, going to concerts, longboarding, and playing with just about any dog he can get close to.



Sounds Like New Jersey: The Best of the Garden State

Last time, we brought you the best albums Colorado has to offer. This time, let’s head east to check out the best of the Garden State. Here are reviews of three albums by Jersey natives!

Bruce Springsteen
Born to Run

After two low-budget albums, The Boss released his third, Born to Run, with a superstar budget and big aspirations. Before this album, Springsteen was mostly propelled by local love and word of mouth; Born to Run was a make-or-break shot at the big leagues.

It couldn’t be more successful at this mission—Born to Run is a superb album that cemented Springsteen’s status as someone who would make his mark on rock & roll. Each track is full of both drama and familiar themes of American life. The songs are familiar stories, told in a new way that’s an unprecedented level of exciting and meaningful.

Most important, though, is that The Boss just makes music that’s what rock should be. Each track is filled with incredible instrumentals: harmonicas, pianos, organs, great guitar lines and fantastic chords—and it’s all tied together by an unshakable spirit and energy. Born to Run is an exhilarating listening experience.

Don’t Miss Tracks: “Born to Run”, “Thunder Road”, “Backstreets”

Lauryn Hill
The Miseducation of Lauryn Hill

Turns out 1998 was one amazing year for hip hop: between Outkast’s Aquemini, Talib Kweli and Mos Def’s Black Star, and Lauryn Hill, it was truly a year to remember. Even in a year of standouts, The Miseducation of Lauryn Hill raised the bar. Hill’s hip-hop foundation with gospel, soul, reggae and funk layered on top made it the stellar album that won a record five Grammy Awards.

Hill’s music truly sounds like poetry, which, given its subject matter, is definitely appropriate. The album takes on the issue of love in many manifestations, ranging from deep happiness on tracks like “Nothing Even Matters” to sadness on “I Used to Love Him”. Rapper Nas described the album’s style as “the soul of Roberta Flack, the passion of Bob Marley, the essence of Aretha Franklin all wrapped up in one thing”.

What’s best about this album is that Hill created her own sound. Rather than trying to emulate existing hip-hop, she forged her own path—a brand new style. This album feels like a new artist—and genre—is born.

Don’t Miss Tracks: “Doo Wop”, “Superstar”

Bon Jovi
Slippery When Wet

It’s impossible to talk about New Jersey without mentioning Jon Bon Jovi and crew. Listening to this album reminds you of every party you’ve been at when “Livin’ on a Prayer” comes on, and suddenly you’re singing along. This band has a way of sticking in your mind.

Bon Jovi may love his lyrical clichés, but there’s no denying how much fun this music is. In its best moments, like “Livin on a Prayer” or “Wanted Dead or Alive”, Slippery When Wet creates a melodic frenzy. The album introduces an appealing fusion of pop, rock and metal that brought hair metal onto the mainstream radio. Despite its metal influences, however, this album is most true to pop.

“It’s alright if you have a good time”, Bon Jovi sang on “Let it Rock”, and that’s the theme of this album: it’s an accessible, middle-of-the-road approach to rock that deviated from other hard-edged ‘80s music and created an appealing, carefree alternative that ultimately became an ‘80s soundtrack.

Don’t Miss Tracks: “Livin’ on a Prayer”, “Wanted Dead or Alive”

These albums currently range from $1 to $4 on Murfie. Grab ’em now!