Last Call: Your Murfie Week in Review

 


Sunday 5/11

– On Twitter: We shared some Mom-Approved music for Mother’s Day.

Monday 5/12

– On Twitter: We got a cool tweet from a new member overseas!

– On Facebook: A huge rainstorm hit Madison! We posted a photo to try to capture the intense storm.

– On Facebook: Daniel Edgerton won our #FreeFriday: The Mouse and the Mask giveaway!

Tuesday 5/13

– In the Press: HarborLAB posted an article showing how they are using Murfie’s recycled CD cases to restore wetlands and create a fun educational opportunity!

– In the Marketplace: A bunch o’ new album releases were added to our shop, including Dolly Parton’s Blue Smoke, Little Dragon’s Nabuma Rubberband, and The Black Keys’ Turn Blue.

Wednesday 5/14

– On Twitter: We thought it was pretty cool that Morrissey sent our his first tweet!

Thursday 5/15

– On the Blog: Ally gave us our weekly dose of music history, featuring facts about The Stones, The Beach Boys, Elton John, The Beatles, Stevie Wonder, The Who and Adele.

Friday 5/16

– On the Blog: Our current #FreeFriday: Back to Black review was posted, featuring the late great Amy Winehouse. You still have a chance to win if you retweet our tweet or share our Facebook post!

– On Facebook: We challenged you to buy a Beach Boys album!

– On Twitter: James got a tat!!!


 

Last Call: Your Murfie Week in Review


 Monday 5/5 

shinsOn Twitter: @bradleege won a copy of Chutes too Narrow by The Shins in our first #FreeFriday giveaway!

On the Blog: Ally reviewed three of her favorite folk albums (Let’s Be Still by The Head and The Heart, Indigo Girls by Indigo Girls, and Diamonds and Rust by Joan Baez) in Staff Picks: Ally’s Folk Picks.

On Twitter: We responded to a Forbes article called “Taking The Collecting Out Of Music“, letting them know that the spirit of the music collector is alive and well at Murfie.

In the Press: AudioStream wrote an article about us called “Murfie: A New Home for Your CDs in the Cloud“.


 Tuesday 5/6 

377182-largeIn the marketplace: 5 brand new album releases by Atmosphere, Lily Allen, Natalie Merchant, Sarah McLachlan and The Horrors were added to the Murfie marketplace.

On Twitter: We congratulated Musaic for the success of their Kickstarter campaign and expressed our excitement for being a streaming partner!


 Wednesday 5/7 

– On the Blog: Ally gave us our weekly dose of music history in This Week in Music HIstory (May 7th-13th).



 Thursday 5/8 

tbt– On Twitter: Throwback Thursday! Out #tbt tweet included an article and a picture of Matt and Preston from 2011, back when Murfie had “a couple hundred” members.

– In the Press: AV Specialists posted our guest article, called How Does Murfie Work? A Murfie Employee Explains. The post includes a special offer!


 Friday 5/9 

mouse– On the Blog: Andrew posted our #FreeFriday giveaway: The Mouse and the Mask by DANGERDOOM. You still have a chance to win if you retweet us or share our Facebook post!

– On Twitter: We got a shout-out all the way from Australia! The locals love us! :-)


Saturday 5/10

– On the Blog: Ally told us about some Mom-Approved Modern Music for Mother’s Day.


 

#FreeFriday: The Mouse and the Mask

Time for our second edition of #FreeFriday! Each week we’ll review an album, and give it away to one lucky winner. For a chance to win the album, all you have to do is read this post, then share on social media at least one of these ways:

  • Share this blog post on Twitter—use the hashtag #FreeFriday and tag @murfiemusic
  • Retweet one of the #FreeFriday tweets we send via @murfiemusic
  • Share our #FreeFriday Facebook post (in a public post)

Now, on to this week’s awesome featured album…
mouse

The Mouse and the Mask (DANGERDOOM, 2005)

DANGERDOOM’s 2005 album The Mouse and the Mask begins with a very interesting question. The first voice on the album isn’t either of the group’s two members but rather the voice of Brak (the catlike alien you may remember from Space Ghost) asking the listener “Why did you buy this album? …I don’t know why you did, you’re stupid.” Aside from bringing up deep questions about the appeal of physical music in a digital age (which we at Murfie know all too well) this opening perfectly sets the tone for the rest of the album. The Cartoon Network samples may make it difficult to take the album seriously, but the combined talents of Daniel Dumile and Brian Burton make it an album that, despite Brak’s protests, is definitely worth buying (or winning from #FreeFriday).

Dumile and Burton, better known by their stage names MF DOOM and Danger Mouse, are two of the most innovative and prolific hip hop artists of the last decade, and both were at the top of their game on this album. At the time of The Mouse and the Mask’s release, Dumile had released a plethora of material both lyrical and instrumental under several different names including Viktor Vaughn, King Geedorah, and Madvillain. Burton’s history isn’t anything to sneeze at either. By 2005 Danger Mouse had already gained national attention from his mixtape The Grey Album, a mashup of Jay-Z’s The Black Album with The Beatleseponymous white album. He went on to start Gnarls Barkley with Cee-Lo Green and Broken Bells with The Shins’ James Mercer. Burton was also credited with production on GorillazDemon Days, The Black KeysAttack & Release, and Beck’s Modern Guilt. It really is quite the resumé.

DOOM’s intricate rhyme schemes, Danger Mouse’s sampling skills, and the duo’s extensive experience make this album a great listen, but they’re not the only big names on the record. Burton’s pal Cee-Lo croons the silky smooth hook on “Benzie Box” while Doom spits alongside fellow New Yorkers Talib Kweli (on “Old School”) and Wu Tang’s Ghostface Killah (on “The Mask”). The album also features dialog from various characters from Cartoon Network’s Adult Swim, including the casts of Space Ghost Coast to Coast, Aqua Teen Hunger Force, and Sealab 2021.

The Mouse and the Mask follows a storyline in which Aqua Teen’s Master Shake keeps trying to convince Danger Mouse to help him produce a new rap album, but the goofy dialogue is just a frilly garnish atop a rich and complex musical feast. No matter where Danger Mouse goes with his samples, DOOM is right behind him with a mind-blowing string of carefully veiled puns and tongue-twisting alliteration. I’d love to tell you more about it, but in a single line Dumile gives a summary better than I could ever hope to provide with a thousand words. At the end of “Mince Meat,” he boasts: “Off a DAT tape of rap, country or deep house / I’ll make mincemeat out of that beat, Mouse.”

Share this post in one of the ways listed above, and we’ll let you know if you’re the winner on Monday! Good luck!



Andrew Hinkens

Andrew works in Operations at Murfie, taking great care to make sure all your albums are ripped quickly and accurately. He enjoys collecting vinyl, going to concerts, longboarding, and playing with just about any dog he can get close to.